1 پر

sangit ka vishesh panapta baDhta isliye hai ki svar aur svar ke sambandh, jinse sangit banta hai unki udheDbun, har parampara ki apni hoti hai.

sangit ka vishesh panapta baDhta isliye hai ki svar aur svar ke sambandh, jinse sangit banta hai unki udheDbun, har parampara ki apni hoti hai.

bambii ke sinema vale sangit ka salad taiyar karne mein param nipun hain.

bambii ke sinema vale sangit ka salad taiyar karne mein param nipun hain.

jan ragini aur uski anthashraddha jane kitni ghatnaon ko apni gahrai ke jadu se daivi roop pradan kar deti hai, itihas viphal rahta hai, kala samay ka aghat bardasht nahin kar pati aur sahitya kabhi kabhi pannon mein soya rah jata hai, kintu lok ragini ka svar andhi pani ke beech samay ki uddaam dhara ke bahav ke beech, vismriti ke kitne abhicharon ke beech bhi shashvat bana rahta hai aur yadyapi ye nahin pata chalta ki kis yug se, kis ghatna se aur kis desh se uska sambandh hai aur ye bhi nahin pata chalta ki uske kitne sanskran apne aap anjane kanthon dvara ho ge hain, par usmen jo satya satt bankar khinch aata hai, use koi bhi hava uDa nahin pati, kyonki wo satya bahut bhari hota hai.

jan ragini aur uski anthashraddha jane kitni ghatnaon ko apni gahrai ke jadu se daivi roop pradan kar deti hai, itihas viphal rahta hai, kala samay ka aghat bardasht nahin kar pati aur sahitya kabhi kabhi pannon mein soya rah jata hai, kintu lok ragini ka svar andhi pani ke beech samay ki uddaam dhara ke bahav ke beech, vismriti ke kitne abhicharon ke beech bhi shashvat bana rahta hai aur yadyapi ye nahin pata chalta ki kis yug se, kis ghatna se aur kis desh se uska sambandh hai aur ye bhi nahin pata chalta ki uske kitne sanskran apne aap anjane kanthon dvara ho ge hain, par usmen jo satya satt bankar khinch aata hai, use koi bhi hava uDa nahin pati, kyonki wo satya bahut bhari hota hai.

keval hindustaan me.n darshan sangiit ke ruup me.n kahaa gayaa।

jab darshan aur sangiit ka jo.D ho jaa.e to majaa hii aa.egaa।

keval hindustaan me.n darshan sangiit ke ruup me.n kahaa gayaa।

jab darshan aur sangiit ka jo.D ho jaa.e to majaa hii aa.egaa।

jo shor ki jagah sangit, anand ki jagah khushi, aatma ki jagah sona, rachnatmak karya ki jagah vyapar, aur junun ki jagah murkhata chahta hai, use is sadharan duniya mein koi ghar nahin milta.

jo shor ki jagah sangit, anand ki jagah khushi, aatma ki jagah sona, rachnatmak karya ki jagah vyapar, aur junun ki jagah murkhata chahta hai, use is sadharan duniya mein koi ghar nahin milta.

har rachna apne niji vinyas ko lekar vyakt hoti hai, jaise har raag ragini ka thaat badal jata hai, vaise hi har chitr, kavita ke srijan ke samay uska sancha badal jata hai.

har rachna apne niji vinyas ko lekar vyakt hoti hai, jaise har raag ragini ka thaat badal jata hai, vaise hi har chitr, kavita ke srijan ke samay uska sancha badal jata hai.

manav hriday par sangit ka itna prabal paDta hai ki ye kshan bhar mein chitt ki ekagrata la deta hai.

manav hriday par sangit ka itna prabal paDta hai ki ye kshan bhar mein chitt ki ekagrata la deta hai.

andhere me.n sangiit do vyaktiyo.n ko kitnaa paas khiinch laataa hai !

andhere me.n sangiit do vyaktiyo.n ko kitnaa paas khiinch laataa hai !

veshya ke ghar par athva anya saman vidya, buddhi, sheel, dhan vale samavyask mitron ke ghar par sabha mein veshyaon ke saath aasan par baithkar anurup arthat saman anurag parihaspurvak madhur vartalap ke saath goshthi ka ayojan karna chahiye.

veshya ke ghar par athva anya saman vidya, buddhi, sheel, dhan vale samavyask mitron ke ghar par sabha mein veshyaon ke saath aasan par baithkar anurup arthat saman anurag parihaspurvak madhur vartalap ke saath goshthi ka ayojan karna chahiye.

sangit pyaar hai jise ek shabd ki talash hai.

sangit pyaar hai jise ek shabd ki talash hai.

chehre ke saman dhun ki bhi ek shakl hoti hai.

chehre ke saman dhun ki bhi ek shakl hoti hai.

vichar ke saath aur vichar ke bina bolne ki tulna sangit ko vichar ke saath, aur vichar ke bina bajane se hi karni chahiye.

vichar ke saath aur vichar ke bina bolne ki tulna sangit ko vichar ke saath, aur vichar ke bina bajane se hi karni chahiye.

kya hamein kisi aise vyakti ki kalpana nahin karna chahiye, jisne kabhi sangit nahin suna ho, aur jo ek din achanak shopan ki koi antargumphit rachna sune aur ye maan baithe ki ye ek aisi gupt bhasha hai, jiske arthon ko duniya usse chhupaye rakhna chahti hai?

kya hamein kisi aise vyakti ki kalpana nahin karna chahiye, jisne kabhi sangit nahin suna ho, aur jo ek din achanak shopan ki koi antargumphit rachna sune aur ye maan baithe ki ye ek aisi gupt bhasha hai, jiske arthon ko duniya usse chhupaye rakhna chahti hai?

mainne tasvir mein rang bhare aur rangon mein lay ke saath sangit jhankrit hone laga. haan, mainne dekha tha ki mainne tasvir mein rang hi bhare the.

mainne tasvir mein rang bhare aur rangon mein lay ke saath sangit jhankrit hone laga. haan, mainne dekha tha ki mainne tasvir mein rang hi bhare the.

halli nritya, gayan, raslila aadi dekhne se, raag se chanchal evan ashrupurn netron se chandrmanDal ko dekhne se rati baDh jati hai.

halli nritya, gayan, raslila aadi dekhne se, raag se chanchal evan ashrupurn netron se chandrmanDal ko dekhne se rati baDh jati hai.

akaran aur anthin ha sangit, lay aur nritya.

akaran aur anthin ha sangit, lay aur nritya.

kavita ka sangit shabd dhvani ka sangit nahin hai, arth sanket (ise ritikalin ‘arth sanket’ ke arth mein grhan nahin kiya jaye) aur arth vistar ka sangit hai.

kavita ka sangit shabd dhvani ka sangit nahin hai, arth sanket (ise ritikalin ‘arth sanket’ ke arth mein grhan nahin kiya jaye) aur arth vistar ka sangit hai.

sandhya ke samay nagarak sangit goshthi mein sammilit hokar sangit ka anand le. tatpashchat susajjit tatha sugandhit dhupadi se suvasit vasgrih mein apne sahaykon ke saath shayya par baithkar abhisarika ( premika ) ki prtiksha kare.

sandhya ke samay nagarak sangit goshthi mein sammilit hokar sangit ka anand le. tatpashchat susajjit tatha sugandhit dhupadi se suvasit vasgrih mein apne sahaykon ke saath shayya par baithkar abhisarika ( premika ) ki prtiksha kare.

sangit mein jivankal ki koi sima nahin hai.

sangit mein jivankal ki koi sima nahin hai.

sahitya aur sangitshastr tatha kala se jo manushya heen hai, wo poonchh aur singarhit pashu hai.

sahitya aur sangitshastr tatha kala se jo manushya heen hai, wo poonchh aur singarhit pashu hai.

dhun ka bhasha se mel hota hai.

dhun ka bhasha se mel hota hai.

sangit ke mahatv ko adhisankhya prekshak nahin samajhte. ye ek duःkhad sthiti hai.

sangit ke mahatv ko adhisankhya prekshak nahin samajhte. ye ek duःkhad sthiti hai.

kisi shilpkarya, sangit aur kisi anya vishay mein prvinta tab tak nahin hoti aur na ho sakti hai, jabtak indriyon ki anek nitya evan sahj kriyaon mein kuch badlav na kiya jaye.

kisi shilpkarya, sangit aur kisi anya vishay mein prvinta tab tak nahin hoti aur na ho sakti hai, jabtak indriyon ki anek nitya evan sahj kriyaon mein kuch badlav na kiya jaye.

hindu sangit svanubhutiprak, adhyatmik tatha vyakti kala hai jiska lakshya vadyvrind ki pratibha pradarshit karna nahin, balki param aatma ke saath apna mel bithana hai.

hindu sangit svanubhutiprak, adhyatmik tatha vyakti kala hai jiska lakshya vadyvrind ki pratibha pradarshit karna nahin, balki param aatma ke saath apna mel bithana hai.

kavya ek bahut hi vyapak kala hai. jis prakar moort vidhan ke liye kavita chitr vidya ki prnali ka anusran karti hai usi prakar nadsaushthav ke liye wo sangit ka kuch kuch sahara leti hai.

kavya ek bahut hi vyapak kala hai. jis prakar moort vidhan ke liye kavita chitr vidya ki prnali ka anusran karti hai usi prakar nadsaushthav ke liye wo sangit ka kuch kuch sahara leti hai.

sangit sarvottam kala hai aur jo use samajhte hain unke liye wo sarvottam upasna bhi hai.

sangit sarvottam kala hai aur jo use samajhte hain unke liye wo sarvottam upasna bhi hai.

vina to dekhi ja sakti hai kintu sur ko nahin dekha ja sakta hai; kintu us sur se ye pahchana ja sakta hai ki vina baj rahi hai.

vina to dekhi ja sakti hai kintu sur ko nahin dekha ja sakta hai; kintu us sur se ye pahchana ja sakta hai ki vina baj rahi hai.

jis prakar har rang aur rekha chitr nahin hai, har dhvani sangit nahin hai, sharir ki har bhaav bhangima nritya nahin hai, vastu ki har akriti shilp nahin hai, har shabd sahitya nahin hai—usi prakar har dhvani, har mudra, har rang va rekha aur har akriti se praapt hone vala anand kala ka anand nahin hai.

jis prakar har rang aur rekha chitr nahin hai, har dhvani sangit nahin hai, sharir ki har bhaav bhangima nritya nahin hai, vastu ki har akriti shilp nahin hai, har shabd sahitya nahin hai—usi prakar har dhvani, har mudra, har rang va rekha aur har akriti se praapt hone vala anand kala ka anand nahin hai.

manav jati ke vikas kram mein ek sthiti aisi bhi thi jab uske samuhik gaan mein kavita, nritya, sangit—tinon sammishrit the.

manav jati ke vikas kram mein ek sthiti aisi bhi thi jab uske samuhik gaan mein kavita, nritya, sangit—tinon sammishrit the.

jitne bhi adhik se adhik mahattwpurn karya hote hain we sab anayas hi namratapurwak aur bina kisi aDambar ke hua karte hain na to hal chalane ka karya aur na imarat banane ya pashu charane ya sochne ke karya hi wardi pahankar, dipon ki chamak damak mein aur topon ki garjan ke beech kiye ja sakte hain iske wiprit dipon ki jagmagahat, topon ki gaDgaDahat, sangit, wardi, safai aur chamak damak ye prakat karte hain ki unke beech jo kuch bhi ho raha hai wo sab mahattawhin hai mahan aur sachche karya sada saral aur winamr hote hain

jitne bhi adhik se adhik mahattwpurn karya hote hain we sab anayas hi namratapurwak aur bina kisi aDambar ke hua karte hain na to hal chalane ka karya aur na imarat banane ya pashu charane ya sochne ke karya hi wardi pahankar, dipon ki chamak damak mein aur topon ki garjan ke beech kiye ja sakte hain iske wiprit dipon ki jagmagahat, topon ki gaDgaDahat, sangit, wardi, safai aur chamak damak ye prakat karte hain ki unke beech jo kuch bhi ho raha hai wo sab mahattawhin hai mahan aur sachche karya sada saral aur winamr hote hain

dhool chatne vale log sangitshastr ki rachna nahin kar sakte, ve ganit ke pher mein nahin paD sakte aur unhen darshnon ki baat nahin soojh sakti.

dhool chatne vale log sangitshastr ki rachna nahin kar sakte, ve ganit ke pher mein nahin paD sakte aur unhen darshnon ki baat nahin soojh sakti.

hindi ke bhaktikavya mein kavya aur sangit ka jaisa samanvit svarup prakat hua hai, vaisa anyatr anuplabdh hai.

hindi ke bhaktikavya mein kavya aur sangit ka jaisa samanvit svarup prakat hua hai, vaisa anyatr anuplabdh hai.

sangit, katha vartta, chitrakla, nritya, naatk, sinema aadi lalit kalayen yadi uchit sima mein rahen to ve jan samaj ke nirdosh manorjan, gyaan prapti tatha bhavna–vikas ke sadhan ho sakti hai.

sangit, katha vartta, chitrakla, nritya, naatk, sinema aadi lalit kalayen yadi uchit sima mein rahen to ve jan samaj ke nirdosh manorjan, gyaan prapti tatha bhavna–vikas ke sadhan ho sakti hai.

kalpanaa giit gaatii hai aur us giit se praaN-viiNaa me.n nritya chhand baj uThtaa hai।

kalpanaa giit gaatii hai aur us giit se praaN-viiNaa me.n nritya chhand baj uThtaa hai।

jis tarah se shabd, sur aur lay vaise hi rang, rekha aur rup––tino milkar ek hona chahte hain. jo rupankan mein daksh hota hai; wo in tinon ko ek karne ka upaay janta hai, kintu jo ismen zara bhi daksh nahin hai; wo tinon ko alag alag rakhta hai, nahin to inhen baDi kheench taan ke baad is tarah milata hai, jisse inki apni shri, apna chhand paryant nasht hokar ek bhaddi vastuon ki samshti ban jati hai.

jis tarah se shabd, sur aur lay vaise hi rang, rekha aur rup––tino milkar ek hona chahte hain. jo rupankan mein daksh hota hai; wo in tinon ko ek karne ka upaay janta hai, kintu jo ismen zara bhi daksh nahin hai; wo tinon ko alag alag rakhta hai, nahin to inhen baDi kheench taan ke baad is tarah milata hai, jisse inki apni shri, apna chhand paryant nasht hokar ek bhaddi vastuon ki samshti ban jati hai.

viphalta ko lekar hii is jiivan-sangiit kii mainne rachnaa kii hai। dono.n aa.nkho.n se aa.nsuu kii buunde.n Tapaktii hain। is vishaal vishv me.n keval naynaashru.o.n se hii mera saagar-taT bhar gayaa।

viphalta ko lekar hii is jiivan-sangiit kii mainne rachnaa kii hai। dono.n aa.nkho.n se aa.nsuu kii buunde.n Tapaktii hain। is vishaal vishv me.n keval naynaashru.o.n se hii mera saagar-taT bhar gayaa।

jinko vidya, tap, daan, sheel, gun aur dharm nahin hai, ve mrityulok mein prithvi par bharrup hokar pashu hain, manashya ke svarup se sakshat pashu hi vichran karte hain.

jinko vidya, tap, daan, sheel, gun aur dharm nahin hai, ve mrityulok mein prithvi par bharrup hokar pashu hain, manashya ke svarup se sakshat pashu hi vichran karte hain.

pite vaqt khvahish hoti hai achchha sangit sunun, aur sangit ke ird gird khamoshi ho.

pite vaqt khvahish hoti hai achchha sangit sunun, aur sangit ke ird gird khamoshi ho.

andhvishvaas jiivan kii kavitaa hai।

andhvishvaas jiivan kii kavitaa hai।

bharatiy sangit ke itihas mein bhakti ke aane ke saath bhajan aur kirtan se ek ne sangit ki shuruat hui.

bharatiy sangit ke itihas mein bhakti ke aane ke saath bhajan aur kirtan se ek ne sangit ki shuruat hui.

jansanchar ke madhymon ke teen mukhya prakarya hain—manoranjan, suchana aur shiksha. tinon sanskriti ko prabhavit karte hain.

jansanchar ke madhymon ke teen mukhya prakarya hain—manoranjan, suchana aur shiksha. tinon sanskriti ko prabhavit karte hain.

kalpanaa, manushya-praaN kii maanasii viiNaa ka chirantan sangiit hai।

kalpanaa, manushya-praaN kii maanasii viiNaa ka chirantan sangiit hai।

ye sangit hi hai jo dil ka vistar karta hai aur shrota ko parmanand aur bhay se shaant kar deta hai.

ye sangit hi hai jo dil ka vistar karta hai aur shrota ko parmanand aur bhay se shaant kar deta hai.

gaay ki kurbani farz nahin hai, ye samajhkar musalman gaay ki kurbani band kar de to ye unka param satkritya samjha jayega.

gaay ki kurbani farz nahin hai, ye samajhkar musalman gaay ki kurbani band kar de to ye unka param satkritya samjha jayega.

kavita, sangit, chitrakla jahan par svatः sphoort nahin hoti hain, kintu yantrshakti ka parichay dete hue, vismay ka udrek karti hain, vahan par man abhibhut ho jata hai.

kavita, sangit, chitrakla jahan par svatः sphoort nahin hoti hain, kintu yantrshakti ka parichay dete hue, vismay ka udrek karti hain, vahan par man abhibhut ho jata hai.

sangit aur kavya ka sammilit svarup kalaon ke liye hitkar avashya hua hai kintu uska sima se adhik agrah karne se usse hani bhi hui hai.

sangit aur kavya ka sammilit svarup kalaon ke liye hitkar avashya hua hai kintu uska sima se adhik agrah karne se usse hani bhi hui hai.

sangitkar ya lekhak ya chitrkar ka samay aitihasik samay se bahut alag hota hai.

sangitkar ya lekhak ya chitrkar ka samay aitihasik samay se bahut alag hota hai.

vadya sangit kavita ke abhav ki parakashtha hai to adhunik gadya geet, sangit ke abhav ka parla kinara hai.

vadya sangit kavita ke abhav ki parakashtha hai to adhunik gadya geet, sangit ke abhav ka parla kinara hai.

nupur padchap ke chhand se madhur bajta hai, paltu kutta jab use lekar kheench taan karta hai, tab wo virakti utpann karne ke atirikt aur kuch bhi nahin karta.

nupur padchap ke chhand se madhur bajta hai, paltu kutta jab use lekar kheench taan karta hai, tab wo virakti utpann karne ke atirikt aur kuch bhi nahin karta.

kai shikshak dhwani ko sirf lay ya tal se joDte hain, at we kawita ko sangit ke sath gawakar paDhate hain aisa karne se kawita kuch sajiw ho jati hai par adhunik kawita pray gey nahin hoti use paDhne ya paDhane ke liye is baat par dhyan dena upyogi hoga ki dhwani har shabd mein hoti hai

kai shikshak dhwani ko sirf lay ya tal se joDte hain, at we kawita ko sangit ke sath gawakar paDhate hain aisa karne se kawita kuch sajiw ho jati hai par adhunik kawita pray gey nahin hoti use paDhne ya paDhane ke liye is baat par dhyan dena upyogi hoga ki dhwani har shabd mein hoti hai