hamare adhikansh upanyas ati samanya prashnon (triviyelitij) se jujhte rahte hain aur unse hamara anubhuti sansar kisi bhi tarah samriddh nahin hota.
hamare adhikansh upanyas ati samanya prashnon (triviyelitij) se jujhte rahte hain aur unse hamara anubhuti sansar kisi bhi tarah samriddh nahin hota.
jayasi prem ke kavi ke roop mein vikhyat hain. unke anusar sansar mein prem se adhik sundar aur kamya kuch bhi nahin hai.
jayasi prem ke kavi ke roop mein vikhyat hain. unke anusar sansar mein prem se adhik sundar aur kamya kuch bhi nahin hai.
hamare sahitya mein ek bahucharchit sthapana ye hai ki bharatiy upanyas mulatः kisan chetna ki mahagatha hai—vaise hi jaise unnasvin sadi ke yoropiy upanyas ko madhyam varg ka mahakavya kaha gaya tha.
hamare sahitya mein ek bahucharchit sthapana ye hai ki bharatiy upanyas mulatः kisan chetna ki mahagatha hai—vaise hi jaise unnasvin sadi ke yoropiy upanyas ko madhyam varg ka mahakavya kaha gaya tha.
mahakavi vidyapati madhyakal ke pahle aise kavi hain jinki padavali mein jan bhasha mein jansanskriti ki abhivyakti hui hai.
mahakavi vidyapati madhyakal ke pahle aise kavi hain jinki padavali mein jan bhasha mein jansanskriti ki abhivyakti hui hai.
jayasi ki drishti mein prem atyant gooDh aur athah hai. zahir hai, aise prem ki kavita likhna bhi asan nahin hoga.
jayasi ki drishti mein prem atyant gooDh aur athah hai. zahir hai, aise prem ki kavita likhna bhi asan nahin hoga.
sabse pahli kami to hamare upanyason mein chintan aur vaicharikta ki hi hai.
sabse pahli kami to hamare upanyason mein chintan aur vaicharikta ki hi hai.
dusre kavi adhik se adhik ansuon se prem ki kavita likhte hain, lekin jayasi ne ankhon se tapakne vale lahu se prem ki kavita likhi hai.
dusre kavi adhik se adhik ansuon se prem ki kavita likhte hain, lekin jayasi ne ankhon se tapakne vale lahu se prem ki kavita likhi hai.
hindi mein sabse prachalit aur lokapriy paddhati hai—apnon ki prshansa aur parayon ki ninda.
hindi mein sabse prachalit aur lokapriy paddhati hai—apnon ki prshansa aur parayon ki ninda.
upanyas ki puri sambhavnaon ka abhi bhi hamare yahan dohan hona hai.
upanyas ki puri sambhavnaon ka abhi bhi hamare yahan dohan hona hai.
samkalinata ki mari aaj ki hindi alochana ne kabir ko adhyatm premi videshiyon tatha unke deshi sahyogiyon ko saump diya hai aur tulsidas ko ‘jay shriram’ ka nara lagane vale shakhamrigon ki marzi par chhoD diya hai.
samkalinata ki mari aaj ki hindi alochana ne kabir ko adhyatm premi videshiyon tatha unke deshi sahyogiyon ko saump diya hai aur tulsidas ko ‘jay shriram’ ka nara lagane vale shakhamrigon ki marzi par chhoD diya hai.
jo sarthak hai vahi samkalin hai; wo naya ho ya purana.
jo sarthak hai vahi samkalin hai; wo naya ho ya purana.
‘maila anchal’ ke saath hi hindi mein upanyason mein ek nai koti ka prachalan hota hai, jise ‘anchlik’ kahte hain.
‘maila anchal’ ke saath hi hindi mein upanyason mein ek nai koti ka prachalan hota hai, jise ‘anchlik’ kahte hain.
‘padmavat’ mein prem ki pradhanta nirvivad hai, parantu us prem ke svarup ke bare mein matbhed hai. vivad ka vishay ye hai ki wo prem mulatः laukik hai ya alaukik.
‘padmavat’ mein prem ki pradhanta nirvivad hai, parantu us prem ke svarup ke bare mein matbhed hai. vivad ka vishay ye hai ki wo prem mulatः laukik hai ya alaukik.
aaj hum jise bharatiy sanskriti kahte hain uske nirman mein bhakti andolan ki atyant mahattvpurn bhumika hai.
aaj hum jise bharatiy sanskriti kahte hain uske nirman mein bhakti andolan ki atyant mahattvpurn bhumika hai.
bhaktikavya ki ek visheshata hindi bhasha ke kavyatv ka utkarsh hai.
bhaktikavya ki ek visheshata hindi bhasha ke kavyatv ka utkarsh hai.
soor ko kabir ki tarah vatyalya aur madhurya ki abhivyakti ke liye balak tatha bahuriya banne ki avashyakta nahin hai aur jayasi ki tarah prem ki alaukik aabha dikhane ki chinta bhi nahin.
soor ko kabir ki tarah vatyalya aur madhurya ki abhivyakti ke liye balak tatha bahuriya banne ki avashyakta nahin hai aur jayasi ki tarah prem ki alaukik aabha dikhane ki chinta bhi nahin.
hindi kshetr mein abhi samanti mulyon aur ruDhiyon ka jitna adhik prabhav hai utna desh ke kisi anya bhaag mein shayad hi kahin ho. isliye yahan striyon ka jaisa shoshan, daman aur utpiDan hai vaisa anyatr kahin nahin.
hindi kshetr mein abhi samanti mulyon aur ruDhiyon ka jitna adhik prabhav hai utna desh ke kisi anya bhaag mein shayad hi kahin ho. isliye yahan striyon ka jaisa shoshan, daman aur utpiDan hai vaisa anyatr kahin nahin.
hindi alochana mein sabse pahle acharya ramchandr shukl ne nirgun santon ke viruddh sagun bhakton ko khaDa kiya. unhonne nirgun santon ko lok virodhi aur sagun bhakton ko lok sangrhi ghoshit kiya.
hindi alochana mein sabse pahle acharya ramchandr shukl ne nirgun santon ke viruddh sagun bhakton ko khaDa kiya. unhonne nirgun santon ko lok virodhi aur sagun bhakton ko lok sangrhi ghoshit kiya.
hindi ke lekhak andhere mein bhale hi bhatakte hon, kintu ye nahin kah sakta ki yug dharm ki jo paheliyan apne vishleshan ke liye samne upasthit hain unkior hindi ka sahitya kshetr udasin hai.
hindi ke lekhak andhere mein bhale hi bhatakte hon, kintu ye nahin kah sakta ki yug dharm ki jo paheliyan apne vishleshan ke liye samne upasthit hain unkior hindi ka sahitya kshetr udasin hai.
kabir aise kavi hain jinhen kisi tarah ki samprdayikta aur kattarta na to apna bana sakti hai aur na pacha sakti hai.
kabir aise kavi hain jinhen kisi tarah ki samprdayikta aur kattarta na to apna bana sakti hai aur na pacha sakti hai.
hindi mein aise alochkon ka abhav nahin hai jo kahte hain ki kavita ki vyakhya mein samaj ko lana kavita ke saath atyachar hai. lekin jis kavita mein samaj hoga uski vyakhya samajik chinta ke bina kaise hogi?
hindi mein aise alochkon ka abhav nahin hai jo kahte hain ki kavita ki vyakhya mein samaj ko lana kavita ke saath atyachar hai. lekin jis kavita mein samaj hoga uski vyakhya samajik chinta ke bina kaise hogi?
kabir pratyek laukik aur alaukik vastu ko julahe ki nazar se dekhte hain. unke liye iishvar bhi ek bunkar hi hai aur uski ye duniya tatha manav kaya—‘jhini jhini bini chadariya hai. ’
kabir pratyek laukik aur alaukik vastu ko julahe ki nazar se dekhte hain. unke liye iishvar bhi ek bunkar hi hai aur uski ye duniya tatha manav kaya—‘jhini jhini bini chadariya hai. ’
hindi sahitya mein mahatma surdas ko to bahut samman mila hai, lekin mahakavi surdas ke mahattv ki vyakhya karne vala alochanatmak vivek viral hi hai.
hindi sahitya mein mahatma surdas ko to bahut samman mila hai, lekin mahakavi surdas ke mahattv ki vyakhya karne vala alochanatmak vivek viral hi hai.
hindi ke varnvadi adhyapak isliye pareshan hai ki agar kabir dalit le ge to nirgun parampara ka kya hoga? samajik ekta samrasta ka kya hoga? dvivedi ji ka kya hoga? us udarta ka kya hoga jo hamare hindi sahitya ke itihas ne bhakti kaal mein paida ki jismen manav manav ek ho gaya?
hindi ke varnvadi adhyapak isliye pareshan hai ki agar kabir dalit le ge to nirgun parampara ka kya hoga? samajik ekta samrasta ka kya hoga? dvivedi ji ka kya hoga? us udarta ka kya hoga jo hamare hindi sahitya ke itihas ne bhakti kaal mein paida ki jismen manav manav ek ho gaya?
hindi ki seva ka arth hai us manav samaj ki seva, jiske vicharon ke adan pradan ka madhyam hindi hai. manushya hi baDi cheez hai, bhasha usi ki seva ke liye hai. sahitya srishti ka bhi yahi arth hai.
hindi ki seva ka arth hai us manav samaj ki seva, jiske vicharon ke adan pradan ka madhyam hindi hai. manushya hi baDi cheez hai, bhasha usi ki seva ke liye hai. sahitya srishti ka bhi yahi arth hai.
bhaktikavya mein dharm ka jo roop hai uska adhar bhay nahin, prem hai. aasha tatha astha is prem ke do sahayak tattv hain.
bhaktikavya mein dharm ka jo roop hai uska adhar bhay nahin, prem hai. aasha tatha astha is prem ke do sahayak tattv hain.
hindi ke bhaktikavya mein anek svar hai. sagun bhakton ka svar nirgun santon se bhinn hai.
hindi ke bhaktikavya mein anek svar hai. sagun bhakton ka svar nirgun santon se bhinn hai.
bhaktikavya ka prem bhakti andolan ki vibhinn dharaon ko aapas mein milata hai. wo vaishnvon ko sufiyon se aur nirgun santon ko sagun bhakton se joDta hai. kahin wo samajik mulya hai to kahin samajik karttavya.
bhaktikavya ka prem bhakti andolan ki vibhinn dharaon ko aapas mein milata hai. wo vaishnvon ko sufiyon se aur nirgun santon ko sagun bhakton se joDta hai. kahin wo samajik mulya hai to kahin samajik karttavya.
nirala ke kullibhat mein bhi vyangya ki jo dhaar, jo prabhvishnuta sambhav hui hai, wo tathakathit vyangykaron ke bute ke bahar ki cheez hai. wo kavi ki hi vagvibhuti hai jo gadya ko phali hai.
nirala ke kullibhat mein bhi vyangya ki jo dhaar, jo prabhvishnuta sambhav hui hai, wo tathakathit vyangykaron ke bute ke bahar ki cheez hai. wo kavi ki hi vagvibhuti hai jo gadya ko phali hai.
hindi ka sajag lekhak pathak nishchit roop se bhashabhashi lekhkon pathkon ki tulna mein kahin adhik akhil bharatiy drishti rakhnevala hota hai.
hindi ka sajag lekhak pathak nishchit roop se bhashabhashi lekhkon pathkon ki tulna mein kahin adhik akhil bharatiy drishti rakhnevala hota hai.
ramchandr shukl aur dvivedi mein aur in dinon sangh ki itihas ki avdharnaon mein ek bhayanak samanata yahi hai ki ye sab itihas ko ek atut dhara mante hain aur karta ke bhaav ko ek anviti mein piroya jata mante hai jismen kabir ki alochana ka tatv ek virechak ka kaam karta hai bas.
ramchandr shukl aur dvivedi mein aur in dinon sangh ki itihas ki avdharnaon mein ek bhayanak samanata yahi hai ki ye sab itihas ko ek atut dhara mante hain aur karta ke bhaav ko ek anviti mein piroya jata mante hai jismen kabir ki alochana ka tatv ek virechak ka kaam karta hai bas.
surdas jis samanti samaj mein rachna kar rahe the, usmen manushya se adhik vyavastha ke bandhnon ka mahattv tha. unki rachna mein samanti vyavastha ke bandhnon se mukti ke liye bechain manushya ka charitr ubharta hai.
surdas jis samanti samaj mein rachna kar rahe the, usmen manushya se adhik vyavastha ke bandhnon ka mahattv tha. unki rachna mein samanti vyavastha ke bandhnon se mukti ke liye bechain manushya ka charitr ubharta hai.
‘padmavat’ ka antarlok bhi lok anubhvon se bhara hua hai.
‘padmavat’ ka antarlok bhi lok anubhvon se bhara hua hai.
sursagar ka premlok dipti, madhurya aur komalta ki snigdh bhumi hai.
sursagar ka premlok dipti, madhurya aur komalta ki snigdh bhumi hai.
paulitikli karekt hone ke uthle, umr duragrah ne samkalin hindi katha sahitya ki uDne aur ghotakhori karne ki kshamata ko badhit kiya hai. ek achchhi kitab apni paulitikal karektnais apne antrik tarkon se arjit karti hai.
paulitikli karekt hone ke uthle, umr duragrah ne samkalin hindi katha sahitya ki uDne aur ghotakhori karne ki kshamata ko badhit kiya hai. ek achchhi kitab apni paulitikal karektnais apne antrik tarkon se arjit karti hai.
sursagar mein parampara aur lokajivan se krishnaktha ko grhan kar surdas ne apni karyitri pratibha ke sahare uska naya roop nirmit kiya hai.
sursagar mein parampara aur lokajivan se krishnaktha ko grhan kar surdas ne apni karyitri pratibha ke sahare uska naya roop nirmit kiya hai.
kavi ke anubhav ka vishay hokar hi koi vishayavastu kavyvastu banti hai, lekin kavi use apni rachna ke uddeshya aur abhivyakti ke anurup punarnirmit karta hai.
kavi ke anubhav ka vishay hokar hi koi vishayavastu kavyvastu banti hai, lekin kavi use apni rachna ke uddeshya aur abhivyakti ke anurup punarnirmit karta hai.
kabir ne jivan bhar jin dharmik aur samajik ruDhiyon ka virodh kiya, unhin mein kabir ko qaid karne ki koshish kabirpanthiyon ne ki hai.
kabir ne jivan bhar jin dharmik aur samajik ruDhiyon ka virodh kiya, unhin mein kabir ko qaid karne ki koshish kabirpanthiyon ne ki hai.
mera ka vidroh ek vikalpavihin vyavastha mein apni svtantrta ke liye vikalp ki khoj ka sangharsh hai.
mera ka vidroh ek vikalpavihin vyavastha mein apni svtantrta ke liye vikalp ki khoj ka sangharsh hai.
surdas mulatः roop aur prem ke kavi hain. roop ke ankan aur prem ki sadhana mein hi unki chittvritti vishesh rami hai.
surdas mulatः roop aur prem ke kavi hain. roop ke ankan aur prem ki sadhana mein hi unki chittvritti vishesh rami hai.
tulsidas jis vaidik aur pauranik parampara ki raksha ke liye nirgun ki alochana karte hain usmen virodhi vicharon ke saath aisa vyvahar bahut pahle se hota aaya hai.
tulsidas jis vaidik aur pauranik parampara ki raksha ke liye nirgun ki alochana karte hain usmen virodhi vicharon ke saath aisa vyvahar bahut pahle se hota aaya hai.
hindi kavita mein aaj jahan saubhagyvash aise kavi upasthit hain, yadyapi unki sankhya bahut kam hai, jo bharatiy tatha vishv manavta ke samne khaDe hue sankton ki jatilta ko pahchan rahe hain aur adami hone ke vividh pahaluon se parichit hain, vahan tathakathit kaviyon aur alochkon ka ek bahut baDa giroh nitant vyaktigat tatha samayik labhanshon ke liye ek bahut kharab kavita ko kavita kah raha hai.
hindi kavita mein aaj jahan saubhagyvash aise kavi upasthit hain, yadyapi unki sankhya bahut kam hai, jo bharatiy tatha vishv manavta ke samne khaDe hue sankton ki jatilta ko pahchan rahe hain aur adami hone ke vividh pahaluon se parichit hain, vahan tathakathit kaviyon aur alochkon ka ek bahut baDa giroh nitant vyaktigat tatha samayik labhanshon ke liye ek bahut kharab kavita ko kavita kah raha hai.
kabirpanth mein kabir ke vicharon ki durgati ke itihas se sabit hota hai ki koi krantikari vicharadhara virodhiyon ki alochnaon se nahin marti, wo itihas prakriya se bekhbar anuyayiyon ki andhashraddha, kattarvadita aur mahattvakanksha se marti hai.
kabirpanth mein kabir ke vicharon ki durgati ke itihas se sabit hota hai ki koi krantikari vicharadhara virodhiyon ki alochnaon se nahin marti, wo itihas prakriya se bekhbar anuyayiyon ki andhashraddha, kattarvadita aur mahattvakanksha se marti hai.
patrakar aur sahityakar ki haisiyat se likhe ge raghuvir sahay ke lekhon mein raghuvir sahay ki vinodapriyta ka bhale hi koi prmaan na milta ho uske sahitya sanskriti prem ka parichay bharpur milta hai.
patrakar aur sahityakar ki haisiyat se likhe ge raghuvir sahay ke lekhon mein raghuvir sahay ki vinodapriyta ka bhale hi koi prmaan na milta ho uske sahitya sanskriti prem ka parichay bharpur milta hai.
soor ka mat hai ki prem se sansar ki sthiti hai; kyonki sara sansar prem ke sootr mein abaddh hai. prem purusharth hai, dharm sadhana ka sadhya aur sadhan donon hain.
soor ka mat hai ki prem se sansar ki sthiti hai; kyonki sara sansar prem ke sootr mein abaddh hai. prem purusharth hai, dharm sadhana ka sadhya aur sadhan donon hain.
bhakti andolan ke vyapak aur sthai prabhav ka ek karan ye hai ki usmen bharatiy sanskriti ke atit ki smriti hai, apne samay ke samaj tatha sanskriti ki sajag chetna hai aur bhavishya ki gahri chinta bhi hai.
bhakti andolan ke vyapak aur sthai prabhav ka ek karan ye hai ki usmen bharatiy sanskriti ke atit ki smriti hai, apne samay ke samaj tatha sanskriti ki sajag chetna hai aur bhavishya ki gahri chinta bhi hai.
surdas ki saundarya chetna ki viksit avastha radha ke saundarya chitran mein dikhai paDti hai.
surdas ki saundarya chetna ki viksit avastha radha ke saundarya chitran mein dikhai paDti hai.
soor ka kavya hindi jati ke samajik sanskritik itihas se dilchaspi rakhne valon ke liye vishesh mahattvpurn hai.
soor ka kavya hindi jati ke samajik sanskritik itihas se dilchaspi rakhne valon ke liye vishesh mahattvpurn hai.
‘padmavat’ ka prem asadharan zarur hain, lekin alaukik nahin.
‘padmavat’ ka prem asadharan zarur hain, lekin alaukik nahin.
mera ke kavya mein ruDhivadi lokamat ka virodh atyant ugr hai, lekin usmen shastrmat ki koi chinta nahin hai. na uska kahin virodh hai aur na kahin sahara. uske akarshan, bhay aur bhram se puri tarah mukt hai mera ki kavita.
mera ke kavya mein ruDhivadi lokamat ka virodh atyant ugr hai, lekin usmen shastrmat ki koi chinta nahin hai. na uska kahin virodh hai aur na kahin sahara. uske akarshan, bhay aur bhram se puri tarah mukt hai mera ki kavita.
aaj ik aur baras biit gayā us ke baġhair
jis ke hote hue hote the zamāne mere