sari kalayen ek dusre mein samoi hui hain, har kala kriti dusri kalakriti ke andar se jhankti hai
sari kalayen ek dusre mein samoi hui hain, har kala kriti dusri kalakriti ke andar se jhankti hai
chekhab ki tarah mujhe bhi manushya ke bhavishya par astha hai. meri kala manushya ko nirash nahin kar sakti. ravindrnath thakur ka ye sandesh mein kabhi nahin bhool sakunga ki manusher vishvas haran paap.
chekhab ki tarah mujhe bhi manushya ke bhavishya par astha hai. meri kala manushya ko nirash nahin kar sakti. ravindrnath thakur ka ye sandesh mein kabhi nahin bhool sakunga ki manusher vishvas haran paap.
sinema mere liye koi art form nahin hai. ye mere logon ki seva karne ka ek zariya maatr hai. main koi samajashastri nahin hoon aur isliye aise bhram nahin palta ki mera sinema logon ko badal sakta hai. koi ek filmmekar logon ko nahin badal sakta hai. log bahut vishal hain aur ve apne aap ko khud badal rahe hain. mein chizen nahin badal raha hoon, jo bhi baDe badlav ho rahe hain mein sirf unhen dastavez kar raha hoon.
sinema mere liye koi art form nahin hai. ye mere logon ki seva karne ka ek zariya maatr hai. main koi samajashastri nahin hoon aur isliye aise bhram nahin palta ki mera sinema logon ko badal sakta hai. koi ek filmmekar logon ko nahin badal sakta hai. log bahut vishal hain aur ve apne aap ko khud badal rahe hain. mein chizen nahin badal raha hoon, jo bhi baDe badlav ho rahe hain mein sirf unhen dastavez kar raha hoon.
ek subhashit hai—kavitarasmadhuryyam kavirvetti’, kavita ka ras madhurya sirf kavi janta hai. theek usi prakar sur mein sur milna chahiye, nahin to vadyyantr kahega ‘ga’ aur gale se niklega ‘dha’.
ek subhashit hai—kavitarasmadhuryyam kavirvetti’, kavita ka ras madhurya sirf kavi janta hai. theek usi prakar sur mein sur milna chahiye, nahin to vadyyantr kahega ‘ga’ aur gale se niklega ‘dha’.
anya shastron ke gyaan se rahit, kintu chatushshashti kala se alankrit kamakla ka gyata purush nar nariyon ki kala vishayak goshthi mein agrganya (shreshth) hokar sammanit hota hai.
anya shastron ke gyaan se rahit, kintu chatushshashti kala se alankrit kamakla ka gyata purush nar nariyon ki kala vishayak goshthi mein agrganya (shreshth) hokar sammanit hota hai.
atit ke bina koi kala nahin hoti hai, kintu vartaman ke bina bhi koi kala jivit nahin rahti hai, ye bhi theek hai.
atit ke bina koi kala nahin hoti hai, kintu vartaman ke bina bhi koi kala jivit nahin rahti hai, ye bhi theek hai.
jo kala hoti hai wo sundar aur satya hoti hai, jo banavat hoti hai wo asundar aur asatya hoti hai.
jo kala hoti hai wo sundar aur satya hoti hai, jo banavat hoti hai wo asundar aur asatya hoti hai.
शिल्प का यह भी एक अनोखा व्यापार है—जैसा-तैसा जो भी माध्यम मिला, उसी पर सवार होकर संसार में जो नहीं है, उसी का जाकर आविष्कार कर डालना।
शिल्प का यह भी एक अनोखा व्यापार है—जैसा-तैसा जो भी माध्यम मिला, उसी पर सवार होकर संसार में जो नहीं है, उसी का जाकर आविष्कार कर डालना।
kala manaviy jivan ki anivarya avashyakta hai.
kala manaviy jivan ki anivarya avashyakta hai.
jo kala jivan ki avashyaktaon se utprerit nahin hoti, usmen vishaygat vaividhya ka abhav rahta hai aur uske roop tatv ka kaushal hi adhik baDh jata hai.
jo kala jivan ki avashyaktaon se utprerit nahin hoti, usmen vishaygat vaividhya ka abhav rahta hai aur uske roop tatv ka kaushal hi adhik baDh jata hai.
kala maatr ka kala ke roop mein bodh bhaav ki ek aisi drashta ki si drishti ya tatasth se bhaav ko samoe rahta hai jiske bina bodh ko kala ya shilp ka bodh kahne mein hi asmanjas hoga.
kala maatr ka kala ke roop mein bodh bhaav ki ek aisi drashta ki si drishti ya tatasth se bhaav ko samoe rahta hai jiske bina bodh ko kala ya shilp ka bodh kahne mein hi asmanjas hoga.
ek kavi sab kalakaron ka adisvrup hota hai. kavita sab kalaon ki kala hai.
ek kavi sab kalakaron ka adisvrup hota hai. kavita sab kalaon ki kala hai.
jo kavi keval saundarya ka premi hai, wo shuddh kalakar ban jata hai.
jo kavi keval saundarya ka premi hai, wo shuddh kalakar ban jata hai.
prkriti mein pratyaksh ki hum pratiti karte hain, sahitya aur lalil kala mein apratyaksh hamare nikat pratiyaman hota hai.
prkriti mein pratyaksh ki hum pratiti karte hain, sahitya aur lalil kala mein apratyaksh hamare nikat pratiyaman hota hai.
kriya ke bhed se hi sansar mein kala ke anek bhed udbhut hue.
kriya ke bhed se hi sansar mein kala ke anek bhed udbhut hue.
कला की कोई भी क्रिया, मनुष्य और जीवन-धारण के लिए अनिवार्य नहीं है। इसलिए कला ही मनुष्य को वह क्षेत्र प्रदान करती है, जिसमें वह अपने व्यक्तित्व का सच्चा विकास कर सकता है।
kala ki prapti mein tapasya apekshit hai— prakriya arjit karne ka tap, manan karne ka taap, dekhne ka tap, shrvan karne ka tap.
kala ki prapti mein tapasya apekshit hai— prakriya arjit karne ka tap, manan karne ka taap, dekhne ka tap, shrvan karne ka tap.
kala se prem karo. sabhi jhuthon mein se, ye sabse kam asatya hai.
kala se prem karo. sabhi jhuthon mein se, ye sabse kam asatya hai.
kala ka karya yathasthiti batane se zyada ye kalpana karna hai ki kya sambhav hai.
kala ka karya yathasthiti batane se zyada ye kalpana karna hai ki kya sambhav hai.
saphal hone ke liye—ek kalakar ke pas—sahasi aatma honi chahiye. …vah aatma jo himmat karti hai aur chunauti deti hai.
saphal hone ke liye—ek kalakar ke pas—sahasi aatma honi chahiye. …vah aatma jo himmat karti hai aur chunauti deti hai.
sach baat to ye hai ki atmaprak roop se vishvaprak, jagataprak hone ki lambi prakriya ki abhivyakti hi kala hai—abhivyakti kaushal ke kshetr mein aur anubhuti arthat anubhut vastu—tatv ke kshetr mein.
sach baat to ye hai ki atmaprak roop se vishvaprak, jagataprak hone ki lambi prakriya ki abhivyakti hi kala hai—abhivyakti kaushal ke kshetr mein aur anubhuti arthat anubhut vastu—tatv ke kshetr mein.
adhunikta ka ek tatparya jahan apni jaDon ki chhanabin hai (apni sthaniyta, itihas, parampara aadi men) vahin uska dusra tatparya kalatmak abhivyakti ki un shreshthatam uplabdhiyon ki jankari bhi hai jinse kala ka itihas bana hai.
adhunikta ka ek tatparya jahan apni jaDon ki chhanabin hai (apni sthaniyta, itihas, parampara aadi men) vahin uska dusra tatparya kalatmak abhivyakti ki un shreshthatam uplabdhiyon ki jankari bhi hai jinse kala ka itihas bana hai.
atit, parampara, vartaman, bhavishya. . . inki lagatar upasthiti ka bodh, ya inmen se kisi ek ki ati upasthiti ka bodh nirdharit karta hai ki ek kalakar apne samay mein manushya ki sthiti aur uski adhunikta ko apni rachnaon mein kis tarah grhan aur paribhashit karta hai.
atit, parampara, vartaman, bhavishya. . . inki lagatar upasthiti ka bodh, ya inmen se kisi ek ki ati upasthiti ka bodh nirdharit karta hai ki ek kalakar apne samay mein manushya ki sthiti aur uski adhunikta ko apni rachnaon mein kis tarah grhan aur paribhashit karta hai.
apne naam ke mulya mutabiq har aart ko insaan ki behtari ke liye kaam karna hi chahiye. main kisi kathor thyori mein yaqin nahin karta hoon, lekin theek usi samay main in tathakathit mahan filmmekars ko lekar hairan hoon, jo mool roop se kuch nahin bas nausikhiye hain aur manaviy rishton ke aart ka shor machate rahte hain. apni samajik zimmedari se bachne ka ye bahut chatur tariqa hai. asal mein jo bhi kaam ye karte hain, wo sirf unki apni satta ko fayda pahunchane ke liye hota hai. ye log itne pakshapati hain, jitna ki koi ho sakta hai lekin apakshpati hone ka mask pahante hain. main aise adarshon se ghrina karta hoon.
apne naam ke mulya mutabiq har aart ko insaan ki behtari ke liye kaam karna hi chahiye. main kisi kathor thyori mein yaqin nahin karta hoon, lekin theek usi samay main in tathakathit mahan filmmekars ko lekar hairan hoon, jo mool roop se kuch nahin bas nausikhiye hain aur manaviy rishton ke aart ka shor machate rahte hain. apni samajik zimmedari se bachne ka ye bahut chatur tariqa hai. asal mein jo bhi kaam ye karte hain, wo sirf unki apni satta ko fayda pahunchane ke liye hota hai. ye log itne pakshapati hain, jitna ki koi ho sakta hai lekin apakshpati hone ka mask pahante hain. main aise adarshon se ghrina karta hoon.
adhunikta vishuddh bhautik sandarbh mein, hamare jivan mein wo badlav hai jo vigyan aur audyogikran ki vajah se aaya hai ha adhunik kala ek mane mein us badlav ke saath ne, kalapurn aur sarthak rishton ki talash hai.
adhunikta vishuddh bhautik sandarbh mein, hamare jivan mein wo badlav hai jo vigyan aur audyogikran ki vajah se aaya hai ha adhunik kala ek mane mein us badlav ke saath ne, kalapurn aur sarthak rishton ki talash hai.
aaj bhi adami jo kuch apne bare mein janta hai aur apni duniya ke bare mein janta hai uske beech sahi aur jivant rishton ki khoj kalaon ki ek sarthak koshish hai.
aaj bhi adami jo kuch apne bare mein janta hai aur apni duniya ke bare mein janta hai uske beech sahi aur jivant rishton ki khoj kalaon ki ek sarthak koshish hai.
kalaon ka gyaan praapt karne maatr se hi saubhagya ki prapti hoti hai. desh kaal ki paristhitiyon ke anusar in kalaon ka prayog sambhav hoga, anyatha paristhitivash asambhav bhi ho sakta hai.
kalaon ka gyaan praapt karne maatr se hi saubhagya ki prapti hoti hai. desh kaal ki paristhitiyon ke anusar in kalaon ka prayog sambhav hoga, anyatha paristhitivash asambhav bhi ho sakta hai.
rachnatmak drishti se Dakyumentri ek prvriti ka naam hai. satya, yatharth mein nihit hota hai aur kaimra, bhautik yatharth ke sabhi pakshon ko pakaDne mein vishesh saksham hota hai. ye kalakar ka kartavya hai ki wo yatharth ko ankit kar kalatmak Dhang se prastut kare.
rachnatmak drishti se Dakyumentri ek prvriti ka naam hai. satya, yatharth mein nihit hota hai aur kaimra, bhautik yatharth ke sabhi pakshon ko pakaDne mein vishesh saksham hota hai. ye kalakar ka kartavya hai ki wo yatharth ko ankit kar kalatmak Dhang se prastut kare.
nagar, pattan, baDe gramon ke jahan par sajjnon ki basti ho, sajjan purushon ka sahvas ho us sthaan par tatha jahan par jivika ke sadhan sulabh hon, jivanopayogi sabhi sadhan saralta se mil jayen aur suraksha ki samuchit vyavastha ho us sthaan par nagarak ko apna nivasasthan banana chahiye.
nagar, pattan, baDe gramon ke jahan par sajjnon ki basti ho, sajjan purushon ka sahvas ho us sthaan par tatha jahan par jivika ke sadhan sulabh hon, jivanopayogi sabhi sadhan saralta se mil jayen aur suraksha ki samuchit vyavastha ho us sthaan par nagarak ko apna nivasasthan banana chahiye.
main ravindrnath ke bina bol nahin sakta. us adami ne mere janm ke pahle hi meri sari bhavnaon ko nichoD liya tha. usne samajh liya tha ki mein kya hoon aur usne use shabdabaddh kar diya tha. mainne paDha aur jana ki sab kuch kaha ja chuka hai aur naya kahne ke liye mere paas kuch bhi bacha nahin hai.
main ravindrnath ke bina bol nahin sakta. us adami ne mere janm ke pahle hi meri sari bhavnaon ko nichoD liya tha. usne samajh liya tha ki mein kya hoon aur usne use shabdabaddh kar diya tha. mainne paDha aur jana ki sab kuch kaha ja chuka hai aur naya kahne ke liye mere paas kuch bhi bacha nahin hai.
karigar kabir ke jivan ki kala hi unki kavita ki kala ban gai.
karigar kabir ke jivan ki kala hi unki kavita ki kala ban gai.
nayak ke dhan se sare sharir par alankar yog arthat apne liye abhushan aadi banvana, bhavan ko kalatmak Dhang se sajana, kimti baratnon ko kharidvana, paricharkon dvara ghar ko svachchh rakhna—ye rupajiva nayika ke vishesh laabh hain.
nayak ke dhan se sare sharir par alankar yog arthat apne liye abhushan aadi banvana, bhavan ko kalatmak Dhang se sajana, kimti baratnon ko kharidvana, paricharkon dvara ghar ko svachchh rakhna—ye rupajiva nayika ke vishesh laabh hain.
chahe sains ho, chahe aart ho, nirasakt man hi sarvashreshth vahan hai; yurop ne sains mein wo paya hai, kintu sahitya mein nahin paya.
chahe sains ho, chahe aart ho, nirasakt man hi sarvashreshth vahan hai; yurop ne sains mein wo paya hai, kintu sahitya mein nahin paya.
yadi kisi uttam kavya ya chitr ki visheshata na samajhne ke karan hum kavi ya chitrkar par shraddha na kar sake to ye hamara anaDipan hai—hamare ruchi sanskar ki truti hai.
yadi kisi uttam kavya ya chitr ki visheshata na samajhne ke karan hum kavi ya chitrkar par shraddha na kar sake to ye hamara anaDipan hai—hamare ruchi sanskar ki truti hai.
maiks renharD ne kaha hai ki kalakar ko apne bachpan ka ek ansh apni jeb mein rakh lena chahiye. chaiplin ise prachur matra mein sambhal kar rakh sake. ainstin ke sapekshata siddhant ke pichhe bhi yahi tatv sakriy tha.
maiks renharD ne kaha hai ki kalakar ko apne bachpan ka ek ansh apni jeb mein rakh lena chahiye. chaiplin ise prachur matra mein sambhal kar rakh sake. ainstin ke sapekshata siddhant ke pichhe bhi yahi tatv sakriy tha.
har rachna apne niji vinyas ko lekar vyakt hoti hai, jaise har raag ragini ka thaat badal jata hai, vaise hi har chitr, kavita ke srijan ke samay uska sancha badal jata hai.
har rachna apne niji vinyas ko lekar vyakt hoti hai, jaise har raag ragini ka thaat badal jata hai, vaise hi har chitr, kavita ke srijan ke samay uska sancha badal jata hai.
mere liye sinema aur kuch nahin sirf ek abhivyakti hai. ye mere liye apne logon ke kashton aur dukhon ko lekar apna ghussa zahir karne ka madhyam hai. kal ko sinema ke alava bhi insaan ki buddhi shayad kuch aisa bana le jo sinema se bhi zyada mazbuti, bal aur tatkalikta se logon ki khushiyon, dukhon, akankshaon, sapnon, adarshon ko abhivyakt kar sake. tab wo hi adarsh madhyam ban jayega.
mere liye sinema aur kuch nahin sirf ek abhivyakti hai. ye mere liye apne logon ke kashton aur dukhon ko lekar apna ghussa zahir karne ka madhyam hai. kal ko sinema ke alava bhi insaan ki buddhi shayad kuch aisa bana le jo sinema se bhi zyada mazbuti, bal aur tatkalikta se logon ki khushiyon, dukhon, akankshaon, sapnon, adarshon ko abhivyakt kar sake. tab wo hi adarsh madhyam ban jayega.
parsad ke sahitya mein mujhe jo kami mahsus hoti hai wo kala ki nahin, kala aur jivan ke beech ghanishthata ki hai.
parsad ke sahitya mein mujhe jo kami mahsus hoti hai wo kala ki nahin, kala aur jivan ke beech ghanishthata ki hai.
veshya ke ghar par athva anya saman vidya, buddhi, sheel, dhan vale samavyask mitron ke ghar par sabha mein veshyaon ke saath aasan par baithkar anurup arthat saman anurag parihaspurvak madhur vartalap ke saath goshthi ka ayojan karna chahiye.
veshya ke ghar par athva anya saman vidya, buddhi, sheel, dhan vale samavyask mitron ke ghar par sabha mein veshyaon ke saath aasan par baithkar anurup arthat saman anurag parihaspurvak madhur vartalap ke saath goshthi ka ayojan karna chahiye.
lekhan ki kala aap jo mante hain, use khojne ki kala hai.
lekhan ki kala aap jo mante hain, use khojne ki kala hai.
hamlog chizon ke kya par dhyaan nahin dete, balki uske kyon aur kaise par sochte hain. yahi mahakavyatmak ravaiya hai.
hamlog chizon ke kya par dhyaan nahin dete, balki uske kyon aur kaise par sochte hain. yahi mahakavyatmak ravaiya hai.
kala unke liye santwna hai, jinhen jiwan ne toD diya hai
kala unke liye santwna hai, jinhen jiwan ne toD diya hai
kala lambi hai aur jivan chhota—mrityu manDara rahi hai.
kala lambi hai aur jivan chhota—mrityu manDara rahi hai.
jahan tak mujhe yaad aata hai ki main hamesha gahre avsad se piDit raha jo meri kalakritiyon mein bhi jhalakta hai.
jahan tak mujhe yaad aata hai ki main hamesha gahre avsad se piDit raha jo meri kalakritiyon mein bhi jhalakta hai.
kala roti jitni upyogi hai.
kala roti jitni upyogi hai.
ek kriti ki vivechana aur mulyankan ka matlab yadi uske ‘kathya’ ki vyakhya hi ho, to ek kalakriti ka saundarya paksh ya to bilkul sapat ho jayega ya bilkul rooDh.
ek kriti ki vivechana aur mulyankan ka matlab yadi uske ‘kathya’ ki vyakhya hi ho, to ek kalakriti ka saundarya paksh ya to bilkul sapat ho jayega ya bilkul rooDh.
pati ko pa lena ek kala hai, use pakaDkar rakhna kathin karya hai.
pati ko pa lena ek kala hai, use pakaDkar rakhna kathin karya hai.
adanekshiprkarita pratidane chirayuta arthat grhan karne mein shighrata karni chahiye kintu jab dusron ko dene ka avsar aaye tab usmen der lagani chahiye. shilpi par shastrakar ne ye jo adesh lagu kiya hai, uska ek arth hai ki vastu ke kaushal aur ras ko chatpat grhan karna chahiye. kintu prastut karte samay soch samajhkar chalna chahiye.
adanekshiprkarita pratidane chirayuta arthat grhan karne mein shighrata karni chahiye kintu jab dusron ko dene ka avsar aaye tab usmen der lagani chahiye. shilpi par shastrakar ne ye jo adesh lagu kiya hai, uska ek arth hai ki vastu ke kaushal aur ras ko chatpat grhan karna chahiye. kintu prastut karte samay soch samajhkar chalna chahiye.
bimal rauy ke bare mein baat karne ke liye mujhe ye kahkar shuru karna chahiye ki main unki puja karta hoon.
bimal rauy ke bare mein baat karne ke liye mujhe ye kahkar shuru karna chahiye ki main unki puja karta hoon.
aaj ik aur baras biit gayā us ke baġhair
jis ke hote hue hote the zamāne mere
