پر

mera svbhaav ya siddhant ya prvritti kuch aisi hai (mere khayal se jo shayad sahi bhi hai) ki jo vyakti sahityik duniya se jitna door rahega, usmen achchha sahityik banne ki sambhavna utni hi zyada baDh jayegi. sahitya ke liye sahitya se nirvasan avashyak hai.

mera svbhaav ya siddhant ya prvritti kuch aisi hai (mere khayal se jo shayad sahi bhi hai) ki jo vyakti sahityik duniya se jitna door rahega, usmen achchha sahityik banne ki sambhavna utni hi zyada baDh jayegi. sahitya ke liye sahitya se nirvasan avashyak hai.

kahna na hoga ki shilp ki drishti se shamsher hindi ke ek advitiy kavi hai.

kahna na hoga ki shilp ki drishti se shamsher hindi ke ek advitiy kavi hai.

alochak ka dharm sahityik netagiri karna nahin hai, varan jivan ka marmagya banna aur usi visheshata ki sahayata se kala samiksha karna bhi hai.

alochak ka dharm sahityik netagiri karna nahin hai, varan jivan ka marmagya banna aur usi visheshata ki sahayata se kala samiksha karna bhi hai.

hamare adhikansh upanyas ati samanya prashnon (triviyelitij) se jujhte rahte hain aur unse hamara anubhuti sansar kisi bhi tarah samriddh nahin hota.

hamare adhikansh upanyas ati samanya prashnon (triviyelitij) se jujhte rahte hain aur unse hamara anubhuti sansar kisi bhi tarah samriddh nahin hota.

shamsher ki aatma ne apni abhivyakti ka ek prabhavashali bhavan apne hathon taiyar kiya hai. us bhavan mein jane se Dar lagta hai—uski gambhir pryatnsadhya pavitarta ke karan!

shamsher ki aatma ne apni abhivyakti ka ek prabhavashali bhavan apne hathon taiyar kiya hai. us bhavan mein jane se Dar lagta hai—uski gambhir pryatnsadhya pavitarta ke karan!

alochak ke liye sarv pratham avashyak hai anubhvatmak jivan gyaan, jo nirantar aatm vistar se arjit hota hai.

alochak ke liye sarv pratham avashyak hai anubhvatmak jivan gyaan, jo nirantar aatm vistar se arjit hota hai.

darasal is sankrati yug mein bhi jo kavi madhyvargiy manःsthiti ko lekar bhavukta se bhari hui anek saphal kavitayen likh lete hain, unke bare mein ye samajhna chahiye ki ya to ve vastavikta ka atisarlikran karte hain, athva ve uski ulajhnon se ghabDakar uupri satah ki ranginiyon mein ras lete hain.

darasal is sankrati yug mein bhi jo kavi madhyvargiy manःsthiti ko lekar bhavukta se bhari hui anek saphal kavitayen likh lete hain, unke bare mein ye samajhna chahiye ki ya to ve vastavikta ka atisarlikran karte hain, athva ve uski ulajhnon se ghabDakar uupri satah ki ranginiyon mein ras lete hain.

jayasi prem ke kavi ke roop mein vikhyat hain. unke anusar sansar mein prem se adhik sundar aur kamya kuch bhi nahin hai.

jayasi prem ke kavi ke roop mein vikhyat hain. unke anusar sansar mein prem se adhik sundar aur kamya kuch bhi nahin hai.

acharya shukl jise maryada kahte hain wo vastav mein ruDhi hai.

acharya shukl jise maryada kahte hain wo vastav mein ruDhi hai.

apne svayan ke shilp ka vikas keval vahi kavi kar sakta hai, jiske paas apne nij ka koi aisa maulik vishesh ho, jo ye chahta ho ki uski abhivyakti usi ke manastatvon ke akar ki, unhin manastatvon ke rang ki, unhin ke sparsh aur gandh ki hi ho.

apne svayan ke shilp ka vikas keval vahi kavi kar sakta hai, jiske paas apne nij ka koi aisa maulik vishesh ho, jo ye chahta ho ki uski abhivyakti usi ke manastatvon ke akar ki, unhin manastatvon ke rang ki, unhin ke sparsh aur gandh ki hi ho.

kavita hi manushya ke hriday ko svaarth sambandhon ke sankuchit manDal se uupar uthakar loksamanya bhavabhumi par le jati hai jahan jagat ki nana gatiyon ke marmik svarup ka sakshatkar aur shuddh anubhutiyon ka sanchar hota hai.

kavita hi manushya ke hriday ko svaarth sambandhon ke sankuchit manDal se uupar uthakar loksamanya bhavabhumi par le jati hai jahan jagat ki nana gatiyon ke marmik svarup ka sakshatkar aur shuddh anubhutiyon ka sanchar hota hai.

sabse pahli kami to hamare upanyason mein chintan aur vaicharikta ki hi hai.

sabse pahli kami to hamare upanyason mein chintan aur vaicharikta ki hi hai.

jayasi ki drishti mein prem atyant gooDh aur athah hai. zahir hai, aise prem ki kavita likhna bhi asan nahin hoga.

jayasi ki drishti mein prem atyant gooDh aur athah hai. zahir hai, aise prem ki kavita likhna bhi asan nahin hoga.

namvar sinh ke anusar sagun kavya ki mukhya kamzori shaastr sapekshata hai, jo ek or nirgundhara ka virodh karti hai aur dusri or ritikavya ke uday ka karan banti hai. namvar sinh ke vivechan se ye aspasht nahin hota ki sagundhara kyon aur kaise shaastr sapeksh hai, isliye ye saval uthta hai ki akhir sagun kavya mein shaastr sapeksh kya hai—sur ka vatsalya aur shrringar? mera ka prem aur vidroh? ya tulsi ka atmanivedan aur atmsangharsh? kya ye sab shaastr sapeksh aur lok vimukh hai? in sabka ritikavya se kya lena dena?

namvar sinh ke anusar sagun kavya ki mukhya kamzori shaastr sapekshata hai, jo ek or nirgundhara ka virodh karti hai aur dusri or ritikavya ke uday ka karan banti hai. namvar sinh ke vivechan se ye aspasht nahin hota ki sagundhara kyon aur kaise shaastr sapeksh hai, isliye ye saval uthta hai ki akhir sagun kavya mein shaastr sapeksh kya hai—sur ka vatsalya aur shrringar? mera ka prem aur vidroh? ya tulsi ka atmanivedan aur atmsangharsh? kya ye sab shaastr sapeksh aur lok vimukh hai? in sabka ritikavya se kya lena dena?

surdas ke kavya mein krishn se radha aur dusri gopiyon ka prem samanti naitikta ke bandhnon se mukt prem hai.

surdas ke kavya mein krishn se radha aur dusri gopiyon ka prem samanti naitikta ke bandhnon se mukt prem hai.

mahakavi vidyapati madhyakal ke pahle aise kavi hain jinki padavali mein jan bhasha mein jansanskriti ki abhivyakti hui hai.

mahakavi vidyapati madhyakal ke pahle aise kavi hain jinki padavali mein jan bhasha mein jansanskriti ki abhivyakti hui hai.

hamare sahitya mein ek bahucharchit sthapana ye hai ki bharatiy upanyas mulatः kisan chetna ki mahagatha hai—vaise hi jaise unnasvin sadi ke yoropiy upanyas ko madhyam varg ka mahakavya kaha gaya tha.

hamare sahitya mein ek bahucharchit sthapana ye hai ki bharatiy upanyas mulatः kisan chetna ki mahagatha hai—vaise hi jaise unnasvin sadi ke yoropiy upanyas ko madhyam varg ka mahakavya kaha gaya tha.

bharat jaise virat manaviy kshetr ke anubhvon, gahri bhavnaon, ashaon, akankshaon aur yatnaon aadi ko hamara upanyas abhi anshatः hi samet paya hai—aur jitna tatha jis prakar use sameta gaya hai usmen pratibha evan kaushal ke kuch durlabh udaharnon ko chhoDkar, ab bhi bahut adhakachrapan hai.

bharat jaise virat manaviy kshetr ke anubhvon, gahri bhavnaon, ashaon, akankshaon aur yatnaon aadi ko hamara upanyas abhi anshatः hi samet paya hai—aur jitna tatha jis prakar use sameta gaya hai usmen pratibha evan kaushal ke kuch durlabh udaharnon ko chhoDkar, ab bhi bahut adhakachrapan hai.

wo alochana, jo rachna prakiya ko dekhe bina ki jati hai, alochak ke ahankar se nishpann hoti hai, bhale hi wo ahankar adhyatmik shabdavali mein prakat ho, chahe kalavadi shabdavali mein, chahe pragtivadi shabdavali mein.

wo alochana, jo rachna prakiya ko dekhe bina ki jati hai, alochak ke ahankar se nishpann hoti hai, bhale hi wo ahankar adhyatmik shabdavali mein prakat ho, chahe kalavadi shabdavali mein, chahe pragtivadi shabdavali mein.

jo log ‘janta ka sahitya’ se ye matlab lete hain ki wo sahitya janta ke turant samajh mein aaye, janta uska marm pa sake, yahi uski pahli kasauti hai—ve log ye bhool jate hain ki janta ko pahle sushikshit aur susanskrit karna hai.

jo log ‘janta ka sahitya’ se ye matlab lete hain ki wo sahitya janta ke turant samajh mein aaye, janta uska marm pa sake, yahi uski pahli kasauti hai—ve log ye bhool jate hain ki janta ko pahle sushikshit aur susanskrit karna hai.

dusre kavi adhik se adhik ansuon se prem ki kavita likhte hain, lekin jayasi ne ankhon se tapakne vale lahu se prem ki kavita likhi hai.

dusre kavi adhik se adhik ansuon se prem ki kavita likhte hain, lekin jayasi ne ankhon se tapakne vale lahu se prem ki kavita likhi hai.

shamsher ki mool manovritti ek impreshnistik chitrkar ki hai.

shamsher ki mool manovritti ek impreshnistik chitrkar ki hai.

upanyas ki puri sambhavnaon ka abhi bhi hamare yahan dohan hona hai.

upanyas ki puri sambhavnaon ka abhi bhi hamare yahan dohan hona hai.

abhivyakti ka abhyas kalakar ka ek mukhya karttavya hai.

abhivyakti ka abhyas kalakar ka ek mukhya karttavya hai.

sahitya mein sachchi nagarikta rachnaon ki hi hoti hai; aur rachnayen antatः sarthak ya nirarthak hoti hai na ki nai aur purani.

sahitya mein sachchi nagarikta rachnaon ki hi hoti hai; aur rachnayen antatः sarthak ya nirarthak hoti hai na ki nai aur purani.

samkalinata ki mari aaj ki hindi alochana ne kabir ko adhyatm premi videshiyon tatha unke deshi sahyogiyon ko saump diya hai aur tulsidas ko ‘jay shriram’ ka nara lagane vale shakhamrigon ki marzi par chhoD diya hai.

samkalinata ki mari aaj ki hindi alochana ne kabir ko adhyatm premi videshiyon tatha unke deshi sahyogiyon ko saump diya hai aur tulsidas ko ‘jay shriram’ ka nara lagane vale shakhamrigon ki marzi par chhoD diya hai.

‘jhutha sach’ un durlabh kritiyon mein se hai jo thos, yatharthavadi star par, bhavukta ke sailab mein bahe bina is bhayanak manaviy trasadi ko atyant sashakt roop mein prastut karti hai.

‘jhutha sach’ un durlabh kritiyon mein se hai jo thos, yatharthavadi star par, bhavukta ke sailab mein bahe bina is bhayanak manaviy trasadi ko atyant sashakt roop mein prastut karti hai.

स्वत्रंता-प्राप्ति के बाद पहला औपन्यासिक चमत्कार रेणु का ‘मैला आँचल’ है।

alochana ki samkalinata ka ek paksh ye bhi hai ki wo atit ki mahattvpurn rachnaon ki vartaman arthavatta ki khoj kare.

alochana ki samkalinata ka ek paksh ye bhi hai ki wo atit ki mahattvpurn rachnaon ki vartaman arthavatta ki khoj kare.

kavi ka abhyantar vaasv baahm ka abhyantrikrit roop hi hai isiliye kavi ko apne vastavik jivan mein rachna baahm kavyanubhav jina paDta hai.

kavi ka abhyantar vaasv baahm ka abhyantrikrit roop hi hai isiliye kavi ko apne vastavik jivan mein rachna baahm kavyanubhav jina paDta hai.

pan. ramchandr shukl jo nirgun mat ko koste hain, wo yon hi nahin. iske pichhe unki sari puran matvadi chetna bolti hai.

pan. ramchandr shukl jo nirgun mat ko koste hain, wo yon hi nahin. iske pichhe unki sari puran matvadi chetna bolti hai.

aise saundarya kshnon, aise manovaigyanik kshnon se vanchit athva alp samriddh, daridr jo alochak hai, wo apne ko chahe jitna baDa samjhe sahitya kshetr ka anushasak samjhe wo, vastutः, sahitya vishleshan ke ayogya hai, kala prakriya ke karya mein aksham hai, bhale hi wo sahitya ka shikhar banne ka svaang rache, masiha bane.

aise saundarya kshnon, aise manovaigyanik kshnon se vanchit athva alp samriddh, daridr jo alochak hai, wo apne ko chahe jitna baDa samjhe sahitya kshetr ka anushasak samjhe wo, vastutः, sahitya vishleshan ke ayogya hai, kala prakriya ke karya mein aksham hai, bhale hi wo sahitya ka shikhar banne ka svaang rache, masiha bane.

‘maila anchal’ ke saath hi hindi mein upanyason mein ek nai koti ka prachalan hota hai, jise ‘anchlik’ kahte hain.

‘maila anchal’ ke saath hi hindi mein upanyason mein ek nai koti ka prachalan hota hai, jise ‘anchlik’ kahte hain.

aaj hum jise bharatiy sanskriti kahte hain uske nirman mein bhakti andolan ki atyant mahattvpurn bhumika hai.

aaj hum jise bharatiy sanskriti kahte hain uske nirman mein bhakti andolan ki atyant mahattvpurn bhumika hai.

‘padmavat’ mein prem ki pradhanta nirvivad hai, parantu us prem ke svarup ke bare mein matbhed hai. vivad ka vishay ye hai ki wo prem mulatः laukik hai ya alaukik.

‘padmavat’ mein prem ki pradhanta nirvivad hai, parantu us prem ke svarup ke bare mein matbhed hai. vivad ka vishay ye hai ki wo prem mulatः laukik hai ya alaukik.

surdas prem ke kavi hai. jis prem ke ve gayak hain uska prasar manav jivan se lekar prakritijgat aur iishvar tak hai.

surdas prem ke kavi hai. jis prem ke ve gayak hain uska prasar manav jivan se lekar prakritijgat aur iishvar tak hai.

vilgav ki sthiti mein, adhunik jivan ki adhikadhik yantrik aur jansankul paristhitiyon mein, manav samudayon ke astitvik aur sanskriktik laybhang ke mansopchar ki zarurat ke takaze se hi prkriti ke saath manaviy chetna ke sambandhon ki khoj jivan ki aupanyasik punarrachna mein aur bhi gahre aur bhi sukshmtam gharatlon par anivarya uthti hai.

vilgav ki sthiti mein, adhunik jivan ki adhikadhik yantrik aur jansankul paristhitiyon mein, manav samudayon ke astitvik aur sanskriktik laybhang ke mansopchar ki zarurat ke takaze se hi prkriti ke saath manaviy chetna ke sambandhon ki khoj jivan ki aupanyasik punarrachna mein aur bhi gahre aur bhi sukshmtam gharatlon par anivarya uthti hai.

vaigyanik vartaman yug banate hain aur kavi unke bhoot aur bhavishya ki alochana karte hain. isi marmik aur chubhne vali alochana ko kavita kahte hain.

vaigyanik vartaman yug banate hain aur kavi unke bhoot aur bhavishya ki alochana karte hain. isi marmik aur chubhne vali alochana ko kavita kahte hain.

koi kriti apne aap mein ekaant satya nahin hoti hai, wo apne samay tak ki parampara ki antim kaDi bhi hoti hai.

koi kriti apne aap mein ekaant satya nahin hoti hai, wo apne samay tak ki parampara ki antim kaDi bhi hoti hai.

karigar kabir ke jivan ki kala hi unki kavita ki kala ban gai.

karigar kabir ke jivan ki kala hi unki kavita ki kala ban gai.

hindi alochana mein sabse pahle acharya ramchandr shukl ne nirgun santon ke viruddh sagun bhakton ko khaDa kiya. unhonne nirgun santon ko lok virodhi aur sagun bhakton ko lok sangrhi ghoshit kiya.

hindi alochana mein sabse pahle acharya ramchandr shukl ne nirgun santon ke viruddh sagun bhakton ko khaDa kiya. unhonne nirgun santon ko lok virodhi aur sagun bhakton ko lok sangrhi ghoshit kiya.

kavyashastr mein jis shrringar ras kaha jata hai, vahi bhaktishastr mein madhur ras ya ujjval ras mana jata hai.

kavyashastr mein jis shrringar ras kaha jata hai, vahi bhaktishastr mein madhur ras ya ujjval ras mana jata hai.

bhaktikavya ki ek visheshata hindi bhasha ke kavyatv ka utkarsh hai.

bhaktikavya ki ek visheshata hindi bhasha ke kavyatv ka utkarsh hai.

kavi ke liye sampurn prkriti gooDh sanketon se bhari hui prerit hoti hai aur alokpurn navin gyaan ka prabhav use svapn mein chaunka jata hai.

kavi ke liye sampurn prkriti gooDh sanketon se bhari hui prerit hoti hai aur alokpurn navin gyaan ka prabhav use svapn mein chaunka jata hai.

yug yugantar se rati kavyasrijan ka kendriy vishay raha hai.

yug yugantar se rati kavyasrijan ka kendriy vishay raha hai.

krishnbhakt apni sadhana ke liye ek aise premakshetr ke bhitar apne aradhya ki pratishtha karte hain jo lok se nyara hai, jismen na lok maryada chalti hai, na vedmaryada.

krishnbhakt apni sadhana ke liye ek aise premakshetr ke bhitar apne aradhya ki pratishtha karte hain jo lok se nyara hai, jismen na lok maryada chalti hai, na vedmaryada.

surdas ke kavya mein prem ke teen prakar hai—manaviy, iishvriy aur prakritik.

surdas ke kavya mein prem ke teen prakar hai—manaviy, iishvriy aur prakritik.

jo alamban manushya jati ki samanya prkriti se sambandh nahin rakhta, ashray ki vishesh prkriti ya sthiti se hi sambandh rakhta hai, uske prati ashray ke bhaav ka bhagi shrota ya pathak purnrup se nahin ho sakta.

jo alamban manushya jati ki samanya prkriti se sambandh nahin rakhta, ashray ki vishesh prkriti ya sthiti se hi sambandh rakhta hai, uske prati ashray ke bhaav ka bhagi shrota ya pathak purnrup se nahin ho sakta.

hindi ke bhaktikavya mein anek svar hai. sagun bhakton ka svar nirgun santon se bhinn hai.

hindi ke bhaktikavya mein anek svar hai. sagun bhakton ka svar nirgun santon se bhinn hai.

bhaktikavya ka prem bhakti andolan ki vibhinn dharaon ko aapas mein milata hai. wo vaishnvon ko sufiyon se aur nirgun santon ko sagun bhakton se joDta hai. kahin wo samajik mulya hai to kahin samajik karttavya.

bhaktikavya ka prem bhakti andolan ki vibhinn dharaon ko aapas mein milata hai. wo vaishnvon ko sufiyon se aur nirgun santon ko sagun bhakton se joDta hai. kahin wo samajik mulya hai to kahin samajik karttavya.