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mahakavi vidyapati madhyakal ke pahle aise kavi hain jinki padavali mein jan bhasha mein jansanskriti ki abhivyakti hui hai.

mahakavi vidyapati madhyakal ke pahle aise kavi hain jinki padavali mein jan bhasha mein jansanskriti ki abhivyakti hui hai.

ved aur lok, in donon ke beech sanvad ke dvara bharatiy sanskriti ka vikas hua hai. kabhi tanav bhi raha hai, dvand bhi raha hai lekin chahe wo dvand ho, chahe wo tanav ho—in sabke saath barabar ek sanvad bana raha hain.

ved aur lok, in donon ke beech sanvad ke dvara bharatiy sanskriti ka vikas hua hai. kabhi tanav bhi raha hai, dvand bhi raha hai lekin chahe wo dvand ho, chahe wo tanav ho—in sabke saath barabar ek sanvad bana raha hain.

aarya sanskriti aur aryon mein ‘rigved’ ka pramukh devta indr tha. yadyapi brahma, vishnu, mahesh—tinon ka naam liya jata hai. brahma ki mahima dhire dhire ghatti gai. indr ki mahima ghatti gai aur krishn aate ge. iska mool srot kahin lokajivan se joDkar dekhana chahiye.

aarya sanskriti aur aryon mein ‘rigved’ ka pramukh devta indr tha. yadyapi brahma, vishnu, mahesh—tinon ka naam liya jata hai. brahma ki mahima dhire dhire ghatti gai. indr ki mahima ghatti gai aur krishn aate ge. iska mool srot kahin lokajivan se joDkar dekhana chahiye.

lekhak ka kartavya hai pathak ko apni bhashik sanskriti se joDna.

lekhak ka kartavya hai pathak ko apni bhashik sanskriti se joDna.

jansangh ke andhvishvasi log kahte hain ki gaay bharatiy sanskriti ki ang hai, to wo jante nahin ki anjane mein kitni baDi sachchai kah ge hain.

jansangh ke andhvishvasi log kahte hain ki gaay bharatiy sanskriti ki ang hai, to wo jante nahin ki anjane mein kitni baDi sachchai kah ge hain.

aaj bharat ki sari vyavastha, arth, rajaniti, shiksha, sanskriti aur sahitya, pratyek kshetr mein ‘chhinnamul’ navshikshit buddhjiviyon ke haath mein aa gai hai aur ve janmatः bharatiy hote hue bhi manasik bauddhik roop se ‘aut saiDar’ hain.

aaj bharat ki sari vyavastha, arth, rajaniti, shiksha, sanskriti aur sahitya, pratyek kshetr mein ‘chhinnamul’ navshikshit buddhjiviyon ke haath mein aa gai hai aur ve janmatः bharatiy hote hue bhi manasik bauddhik roop se ‘aut saiDar’ hain.

ghar aaye vyaktiyo.n ko prempuurN drishTi se dekhe, man se unke prati uttam bhaav rakhe, miiThe vachan bole tathaa uThkar aasan de। grihasth ka sahii sanaatan dharm hai। atithi kii agvaanii aur yathochit riiti se aadar satkaar kare।

ghar aaye vyaktiyo.n ko prempuurN drishTi se dekhe, man se unke prati uttam bhaav rakhe, miiThe vachan bole tathaa uThkar aasan de। grihasth ka sahii sanaatan dharm hai। atithi kii agvaanii aur yathochit riiti se aadar satkaar kare।

iishvar ke roop mein raam ka parityag karke bharat ka kaam chal sakta hai, lekin ek sanskriti purush ke nate, ek kavya pratik ke nate, raam ka parityag karke kaise kaam chal sakta hai? ek nastik, videshi samajashastri jitni sanvedna raam ke charitr ko de sakta hai; yadi utni bhi hum denge, to kya raashtr ko toDne ke paap ke bhagi banenge?

iishvar ke roop mein raam ka parityag karke bharat ka kaam chal sakta hai, lekin ek sanskriti purush ke nate, ek kavya pratik ke nate, raam ka parityag karke kaise kaam chal sakta hai? ek nastik, videshi samajashastri jitni sanvedna raam ke charitr ko de sakta hai; yadi utni bhi hum denge, to kya raashtr ko toDne ke paap ke bhagi banenge?

jis grihasth ka atithi puujit hokar jaataa hai, uske li.e usse ba.Daa anya dharm nahii.n hai-maniishii purush a.isaa kahte hain।

jis grihasth ka atithi puujit hokar jaataa hai, uske li.e usse ba.Daa anya dharm nahii.n hai-maniishii purush a.isaa kahte hain।

atithi kaisaa bhii ho, uskaa aatithya karnaa shreshTh dharm hai।

atithi kaisaa bhii ho, uskaa aatithya karnaa shreshTh dharm hai।

samagrata mein bhasha, rupak ki satat prakriya hai arth mimansa ka itihas, sanskriti ke itihas ka ek pahlu hai bhasha ek hi samay mein ek jiwit wastu, jiwan aur sabhytaon ke jiwashmon ka sangrhalay hai

samagrata mein bhasha, rupak ki satat prakriya hai arth mimansa ka itihas, sanskriti ke itihas ka ek pahlu hai bhasha ek hi samay mein ek jiwit wastu, jiwan aur sabhytaon ke jiwashmon ka sangrhalay hai

purush sanskriti parasparikta ke bina striyon ki bhavanatmak taqat par poshit hone vali parjivi sanskriti thi aur hai.

purush sanskriti parasparikta ke bina striyon ki bhavanatmak taqat par poshit hone vali parjivi sanskriti thi aur hai.

sanskriti ke mool beej kabhi marte nahin hain.

sanskriti ke mool beej kabhi marte nahin hain.

multattv ki bahuvidh kalpana, mimansa aur darshan bharatiy sanskriti aur sahitya ka vyapak satya hai.

multattv ki bahuvidh kalpana, mimansa aur darshan bharatiy sanskriti aur sahitya ka vyapak satya hai.

aaj hum jise bharatiy sanskriti kahte hain uske nirman mein bhakti andolan ki atyant mahattvpurn bhumika hai.

aaj hum jise bharatiy sanskriti kahte hain uske nirman mein bhakti andolan ki atyant mahattvpurn bhumika hai.

apni bhasha, apni sanskriti aur apne sahitya se jhen hona buri baat nahin hai, par jo prem gyaan dvara chalit aur shraddha dvara anugnit hota hai, vahi prem achchha hai. keval gyaan bojh hai, keval shraddha andha bana deti hai.

apni bhasha, apni sanskriti aur apne sahitya se jhen hona buri baat nahin hai, par jo prem gyaan dvara chalit aur shraddha dvara anugnit hota hai, vahi prem achchha hai. keval gyaan bojh hai, keval shraddha andha bana deti hai.

samiksha ki sanskriti manushya ke sanskriti vikas—balki uski sanskriti aur vikas—ke saath anivarya roop se juDi hui cheshta hai.

samiksha ki sanskriti manushya ke sanskriti vikas—balki uski sanskriti aur vikas—ke saath anivarya roop se juDi hui cheshta hai.

kavita ki anaitikta ko lekar uthai gai samast apattiyan darasal is bhranti par adharit hain ki kavita manushya ke naitik utthaan mein kis tarah sahayak hoti hai. naitik shaastr un tatvon ko vyavasthit karta hai jinhen kavita ne srijit kiya hai, wo samajik aur parivarik siddhanton ki ruparekha prastut karta hai aur udahran prastavit karta hai. lekin keval uttam siddhanton ki kami ke karan hi log ek dusre se ghrina nahin karte, ek dusre ko tuchchh nahin samajhte, alochana nahin karte, dhokha nahin dete aur ek dusre ko ghulam nahin banate. kavita ka prabhav ek bhinn aur divya tariqe se hota hai. ye hamare mastishk ko un anaginat vicharon aur sambhavnaon ka kendr bana deti hai, jinhen anyatha hum samajh hi nahin sakte.

kavita ki anaitikta ko lekar uthai gai samast apattiyan darasal is bhranti par adharit hain ki kavita manushya ke naitik utthaan mein kis tarah sahayak hoti hai. naitik shaastr un tatvon ko vyavasthit karta hai jinhen kavita ne srijit kiya hai, wo samajik aur parivarik siddhanton ki ruparekha prastut karta hai aur udahran prastavit karta hai. lekin keval uttam siddhanton ki kami ke karan hi log ek dusre se ghrina nahin karte, ek dusre ko tuchchh nahin samajhte, alochana nahin karte, dhokha nahin dete aur ek dusre ko ghulam nahin banate. kavita ka prabhav ek bhinn aur divya tariqe se hota hai. ye hamare mastishk ko un anaginat vicharon aur sambhavnaon ka kendr bana deti hai, jinhen anyatha hum samajh hi nahin sakte.

rajaniti vale sanskriti ka nirman nahin kar sakte. shodhak aur anveshak sanskriti nirman karte hain.

rajaniti vale sanskriti ka nirman nahin kar sakte. shodhak aur anveshak sanskriti nirman karte hain.

sanskar ki dharti ke bina manushya manushya hi nahin ho sakta, prani bhar rah jata hai.

sanskar ki dharti ke bina manushya manushya hi nahin ho sakta, prani bhar rah jata hai.

jis prakar ganga ki dhara ko parvat pradeshiy, ya uttraprdeshiy ya bihari, ya bangali kahna nirarthak hai, usi prakar satya, dharm aur sanskriti prbhriti mahasampad bhi avichchhedya aur simatit hai.

jis prakar ganga ki dhara ko parvat pradeshiy, ya uttraprdeshiy ya bihari, ya bangali kahna nirarthak hai, usi prakar satya, dharm aur sanskriti prbhriti mahasampad bhi avichchhedya aur simatit hai.

bhasha bolna ek duniya aur ek sanskriti ko apnana hai.

bhasha bolna ek duniya aur ek sanskriti ko apnana hai.

manaviy sharir ki bhanti sanskriti ka sharir bhi jaD aur chetan ke sanyog se nirmit hota hai.

manaviy sharir ki bhanti sanskriti ka sharir bhi jaD aur chetan ke sanyog se nirmit hota hai.

jab hum apne vaishvik drishtikon mein chandrma ke andhere paksh ko shamil kar lenge, keval tabhi hum sarvavyapi sanskriti par gambhirta se baat kar sakte hain.

jab hum apne vaishvik drishtikon mein chandrma ke andhere paksh ko shamil kar lenge, keval tabhi hum sarvavyapi sanskriti par gambhirta se baat kar sakte hain.

sanskriti ek visheshadhikar hai. shiksha ek visheshadhikar hai. par hum nahin chahte ki aisa ho. sanskriti ke samne sabhi yuva ek saman hone chahiye.

sanskriti ek visheshadhikar hai. shiksha ek visheshadhikar hai. par hum nahin chahte ki aisa ho. sanskriti ke samne sabhi yuva ek saman hone chahiye.

ghalat nazariya hone par shuruat mein jo sanskriti achchhi cheez hoti hai wo na keval gatihin ho jati hai balki akramak va kabhi kabhi sangharsh aur ghrina ka beej bo deti hai.

ghalat nazariya hone par shuruat mein jo sanskriti achchhi cheez hoti hai wo na keval gatihin ho jati hai balki akramak va kabhi kabhi sangharsh aur ghrina ka beej bo deti hai.

lokajivan ki dhara jab ek bandhe maarg par kuch kaal tak abadh gati se chalne pati hai tabhi sabhyata ke kisi roop ka poorn vikas aur uske bhitar sukh shanti ki pratishtha hoti hai.

lokajivan ki dhara jab ek bandhe maarg par kuch kaal tak abadh gati se chalne pati hai tabhi sabhyata ke kisi roop ka poorn vikas aur uske bhitar sukh shanti ki pratishtha hoti hai.

lagbhag sabhi sanskritiyon mein upvaas aur samanya roop se kahen, to sanyam ko lambe aur svasth jivan ka adhar mana gaya hai aur lalach ko burai.

lagbhag sabhi sanskritiyon mein upvaas aur samanya roop se kahen, to sanyam ko lambe aur svasth jivan ka adhar mana gaya hai aur lalach ko burai.

is desh mein film saste manoranjan ka sabse ghatiya sadhan ban gai hai. isliye, mein is desh mein filmon ke bhavishya ko lekar kafi chintit hoon.

is desh mein film saste manoranjan ka sabse ghatiya sadhan ban gai hai. isliye, mein is desh mein filmon ke bhavishya ko lekar kafi chintit hoon.

kavita vaise bhi anya shabdik kalaon ki apeksha sabse zyada apni bhashai sanskriti se ghanishth hoti hai.

kavita vaise bhi anya shabdik kalaon ki apeksha sabse zyada apni bhashai sanskriti se ghanishth hoti hai.

ek mahan alochak apni sanskriti ka bhi alochak hota hai; wo kalakriti ke svayatt anubhav ko manaviy sanskriti ki nirantarta men—jise hum parampara kahte hain—uske bhitar paribhashit karta hai.

ek mahan alochak apni sanskriti ka bhi alochak hota hai; wo kalakriti ke svayatt anubhav ko manaviy sanskriti ki nirantarta men—jise hum parampara kahte hain—uske bhitar paribhashit karta hai.

jiske sanskar ek parampara mein dikshit hon uske liye dusri parampara mein rasbodh ke samanya tak pahunchna sahriday bhaav ki ek sadhana ban ja sakti hai.

jiske sanskar ek parampara mein dikshit hon uske liye dusri parampara mein rasbodh ke samanya tak pahunchna sahriday bhaav ki ek sadhana ban ja sakti hai.

soor ka kavya hindi jati ke samajik sanskritik itihas se dilchaspi rakhne valon ke liye vishesh mahattvpurn hai.

soor ka kavya hindi jati ke samajik sanskritik itihas se dilchaspi rakhne valon ke liye vishesh mahattvpurn hai.

loktantr ka saval arthik, rajnitik saval bhi hai, par ab wo ek buniyadi naitik aur sanskritik saval bhi hai.

loktantr ka saval arthik, rajnitik saval bhi hai, par ab wo ek buniyadi naitik aur sanskritik saval bhi hai.

bolne ka matlab hai… sabse baDhkar kisi sanskriti ko grhan karna, sabhyata ke bhaar ko sahara dena.

bolne ka matlab hai… sabse baDhkar kisi sanskriti ko grhan karna, sabhyata ke bhaar ko sahara dena.

bahusanskritikta hamari sanskriti ka anivarya paksh hai, ye hamari bhasha hamare rahan sahn hamare vishvas ka ek zaruri hissa hai isliye mera kaam bhavishya ko khula rakhne ke liye sangharsh karne ka hai.

bahusanskritikta hamari sanskriti ka anivarya paksh hai, ye hamari bhasha hamare rahan sahn hamare vishvas ka ek zaruri hissa hai isliye mera kaam bhavishya ko khula rakhne ke liye sangharsh karne ka hai.

hamari sanskriti ne sirf milansar hone ko gun bana diya. hamne antrik yatra, kendr ke liye khoj ko hatotsahit kar diya hai. hamne apni jaD ko kho diya hai. use phir se talash karna hai.

hamari sanskriti ne sirf milansar hone ko gun bana diya. hamne antrik yatra, kendr ke liye khoj ko hatotsahit kar diya hai. hamne apni jaD ko kho diya hai. use phir se talash karna hai.

bharat ka satya parichay usi manushya mein milta hai jiske hriday mein manushya maatr ke liye samman hai, svikriti hai.

bharat ka satya parichay usi manushya mein milta hai jiske hriday mein manushya maatr ke liye samman hai, svikriti hai.

hamari sanskriti ki ye tatkal zarurat hai ki hum apne aam pathak ki bauddhik manasik dasha, apne angrezi pathak ke vyaktitv ki bunavat aur paath prakriya ka anusandhan karen aur upayon ki khoj karen.

hamari sanskriti ki ye tatkal zarurat hai ki hum apne aam pathak ki bauddhik manasik dasha, apne angrezi pathak ke vyaktitv ki bunavat aur paath prakriya ka anusandhan karen aur upayon ki khoj karen.

janna hi sanskriti hai. janne ki utsukta mein hi prakritik vigyan, samajik vigyan, kala shakhayen, jaisi gyanshakhayen bani hui hain.

janna hi sanskriti hai. janne ki utsukta mein hi prakritik vigyan, samajik vigyan, kala shakhayen, jaisi gyanshakhayen bani hui hain.

jab dharm, darshan, vividh shaastr va lalit sahitya ke pustkon ko paDhne ki prakriya parivarik parikshetr mein arambh hogi tab parivar mein gyaan prakriya ka bhi arambh hoga. parivar se hi kavi, lekhak, vaigyanik, kalakar nirman hote hain.

jab dharm, darshan, vividh shaastr va lalit sahitya ke pustkon ko paDhne ki prakriya parivarik parikshetr mein arambh hogi tab parivar mein gyaan prakriya ka bhi arambh hoga. parivar se hi kavi, lekhak, vaigyanik, kalakar nirman hote hain.

samkalin bharatiy yatharth, jise main sabhyata (sivilijeshan) kahta hun—se shuru hokar sahitya ka sanskriti tak pahunchna katha sahitya ko paryaptta pradan karta hai.

samkalin bharatiy yatharth, jise main sabhyata (sivilijeshan) kahta hun—se shuru hokar sahitya ka sanskriti tak pahunchna katha sahitya ko paryaptta pradan karta hai.

vigyapan kranti tak ka anuvad apni bhasha mein kar deta hai.

vigyapan kranti tak ka anuvad apni bhasha mein kar deta hai.

bharat ki sanskriti, vaishvanar sanskriti hai. arthat duniya mein jitni vividhta hai, utni sab bharat mein hai.

bharat ki sanskriti, vaishvanar sanskriti hai. arthat duniya mein jitni vividhta hai, utni sab bharat mein hai.

bhasha jatiy jivan aur uski sanskriti ki sarvaprdhan rakshika hai. wo uske sheel ka darpan hai. wo uske vikas ka vaibhav hai.

bhasha jatiy jivan aur uski sanskriti ki sarvaprdhan rakshika hai. wo uske sheel ka darpan hai. wo uske vikas ka vaibhav hai.

kalchar ke saath dikkat ye hain ki wo hoti hai hamari maans majja mein rachi basi. wo rishvat ke paise ki tarah ekayek nahin aa jati. use kaar, soot, kausmetiks ki tarah kharidkar nahin laya ja sakta.

kalchar ke saath dikkat ye hain ki wo hoti hai hamari maans majja mein rachi basi. wo rishvat ke paise ki tarah ekayek nahin aa jati. use kaar, soot, kausmetiks ki tarah kharidkar nahin laya ja sakta.

sabhyata ka katha sahitya kalbahya ho sakta hai, sanskriti ka katha sahitya kabhi kalbahya nahin hota, wo abhijat hota hai.

sabhyata ka katha sahitya kalbahya ho sakta hai, sanskriti ka katha sahitya kabhi kalbahya nahin hota, wo abhijat hota hai.

jaam ki arajakta ki sanskriti se harshad mehta paida hote hain, chandrasvami paida hote hain, sushil sharma paida hote hain. antatः wo hatyaron, luteron, Dakaiton, uchakkon, lampton ki sanskriti hoti hai.

jaam ki arajakta ki sanskriti se harshad mehta paida hote hain, chandrasvami paida hote hain, sushil sharma paida hote hain. antatः wo hatyaron, luteron, Dakaiton, uchakkon, lampton ki sanskriti hoti hai.

ek jagaruk sahityik vivek kisi na kisi roop mein apne klasiks ko barabar charcha ke kendr mein rakhkar jivit rakhta hai aur unhen jivit rakhna ek desh ki sanskritik chetna ko jivit rakhna hai.

ek jagaruk sahityik vivek kisi na kisi roop mein apne klasiks ko barabar charcha ke kendr mein rakhkar jivit rakhta hai aur unhen jivit rakhna ek desh ki sanskritik chetna ko jivit rakhna hai.

kshatriy shasan kroor aur anyayi hota hai, parantu unmen prithakta nahin rahti aur unke yug mein kala aur samajik sanskriti unnati ke shikhar par pahunch jati hai.

kshatriy shasan kroor aur anyayi hota hai, parantu unmen prithakta nahin rahti aur unke yug mein kala aur samajik sanskriti unnati ke shikhar par pahunch jati hai.