NA پر

darasal is sankrati yug mein bhi jo kavi madhyvargiy manःsthiti ko lekar bhavukta se bhari hui anek saphal kavitayen likh lete hain, unke bare mein ye samajhna chahiye ki ya to ve vastavikta ka atisarlikran karte hain, athva ve uski ulajhnon se ghabDakar uupri satah ki ranginiyon mein ras lete hain.

darasal is sankrati yug mein bhi jo kavi madhyvargiy manःsthiti ko lekar bhavukta se bhari hui anek saphal kavitayen likh lete hain, unke bare mein ye samajhna chahiye ki ya to ve vastavikta ka atisarlikran karte hain, athva ve uski ulajhnon se ghabDakar uupri satah ki ranginiyon mein ras lete hain.

samkalinata ki mari aaj ki hindi alochana ne kabir ko adhyatm premi videshiyon tatha unke deshi sahyogiyon ko saump diya hai aur tulsidas ko ‘jay shriram’ ka nara lagane vale shakhamrigon ki marzi par chhoD diya hai.

samkalinata ki mari aaj ki hindi alochana ne kabir ko adhyatm premi videshiyon tatha unke deshi sahyogiyon ko saump diya hai aur tulsidas ko ‘jay shriram’ ka nara lagane vale shakhamrigon ki marzi par chhoD diya hai.

alochana ki samkalinata ka ek paksh ye bhi hai ki wo atit ki mahattvpurn rachnaon ki vartaman arthavatta ki khoj kare.

alochana ki samkalinata ka ek paksh ye bhi hai ki wo atit ki mahattvpurn rachnaon ki vartaman arthavatta ki khoj kare.

jo sarthak hai vahi samkalin hai; wo naya ho ya purana.

jo sarthak hai vahi samkalin hai; wo naya ho ya purana.

hindi ke lekhak andhere mein bhale hi bhatakte hon, kintu ye nahin kah sakta ki yug dharm ki jo paheliyan apne vishleshan ke liye samne upasthit hain unkior hindi ka sahitya kshetr udasin hai.

hindi ke lekhak andhere mein bhale hi bhatakte hon, kintu ye nahin kah sakta ki yug dharm ki jo paheliyan apne vishleshan ke liye samne upasthit hain unkior hindi ka sahitya kshetr udasin hai.

adhunikta shabd ka rachnatmak ashay vartaman ko kendr mein rakhte hue atit aur bhavishya ke prati bhi sanchet rahta hai, isliye samkalin pratyaksh ya tatkalin jaise shabdon ke saath bhi iske gahre aur sathi donon sambandh hain.

adhunikta shabd ka rachnatmak ashay vartaman ko kendr mein rakhte hue atit aur bhavishya ke prati bhi sanchet rahta hai, isliye samkalin pratyaksh ya tatkalin jaise shabdon ke saath bhi iske gahre aur sathi donon sambandh hain.

paulitikli karekt hone ke uthle, umr duragrah ne samkalin hindi katha sahitya ki uDne aur ghotakhori karne ki kshamata ko badhit kiya hai. ek achchhi kitab apni paulitikal karektnais apne antrik tarkon se arjit karti hai.

paulitikli karekt hone ke uthle, umr duragrah ne samkalin hindi katha sahitya ki uDne aur ghotakhori karne ki kshamata ko badhit kiya hai. ek achchhi kitab apni paulitikal karektnais apne antrik tarkon se arjit karti hai.

adami ki duvidha, tanav, piDa, abhav ka samsamayik arth sandarbh mukti bodh ki kavita ko samkalin banata hai.

adami ki duvidha, tanav, piDa, abhav ka samsamayik arth sandarbh mukti bodh ki kavita ko samkalin banata hai.

samkalin bharatiy yatharth, jise main sabhyata (sivilijeshan) kahta hun—se shuru hokar sahitya ka sanskriti tak pahunchna katha sahitya ko paryaptta pradan karta hai.

samkalin bharatiy yatharth, jise main sabhyata (sivilijeshan) kahta hun—se shuru hokar sahitya ka sanskriti tak pahunchna katha sahitya ko paryaptta pradan karta hai.

azadi ke baad jis tezi se bharat mein ek ne sampann madhyavarg ka uday hua hai uske samanantar arse se ganvar samjha jane vala hindi sahitya bhi shahrati aur adhunik hua hai. kahne ki avashyakta nahin ki ye naya madhyavarg apni sampannta ke bavjud jitna asanskrit aur phoohD hai uski ruchi ko tusht karne vala sahitya bhi kam phoohD nahin hai.

azadi ke baad jis tezi se bharat mein ek ne sampann madhyavarg ka uday hua hai uske samanantar arse se ganvar samjha jane vala hindi sahitya bhi shahrati aur adhunik hua hai. kahne ki avashyakta nahin ki ye naya madhyavarg apni sampannta ke bavjud jitna asanskrit aur phoohD hai uski ruchi ko tusht karne vala sahitya bhi kam phoohD nahin hai.

sahitya sirf apni zamin ya jagah se hi nahin apne sayam se bhi juDe rahne ki koshish hai.

sahitya sirf apni zamin ya jagah se hi nahin apne sayam se bhi juDe rahne ki koshish hai.

apne yahan samkalinata aur adhunikta ka saval uthana na to samsamayik hai aur na adhunik. kyonki yahan samkalinata aur adhunikta samajik star par samuhik jivan ke ek hi bindu par ek hi saath aur ek hi samay mein ankit hoti hai. unke liye alag alag kaal ya vyakti chun pana sambhav nahin ho sakta hai.

apne yahan samkalinata aur adhunikta ka saval uthana na to samsamayik hai aur na adhunik. kyonki yahan samkalinata aur adhunikta samajik star par samuhik jivan ke ek hi bindu par ek hi saath aur ek hi samay mein ankit hoti hai. unke liye alag alag kaal ya vyakti chun pana sambhav nahin ho sakta hai.

mere liye ek jagaruk samkalin chetna ka arth hi ye hai ki wo apni samagrata mein usi tarah apne atit ko bhi soch aur istemal kar sake jaise apne vartaman ko, aur use aaj ki sahi Dhang ki jankariyon se joDkar dekh sake.

mere liye ek jagaruk samkalin chetna ka arth hi ye hai ki wo apni samagrata mein usi tarah apne atit ko bhi soch aur istemal kar sake jaise apne vartaman ko, aur use aaj ki sahi Dhang ki jankariyon se joDkar dekh sake.

adhunikta ek mulya nahin hai, mulya ke prati ek drishti hai. ye mulya samkalin bhi ho sakte, paramprik bhi aur atit ke bhi.

adhunikta ek mulya nahin hai, mulya ke prati ek drishti hai. ye mulya samkalin bhi ho sakte, paramprik bhi aur atit ke bhi.

kavita mein itihas ka hote hue bhi apne samay ka hona paDta hai.

kavita mein itihas ka hote hue bhi apne samay ka hona paDta hai.

acharya hajariprsad dvivedi ki drishti mulatः sanskriti aitihasik thi. pahle ke sahityon ke bare mein unhonne mulyavan jankari aur chintan diya hai, lekin samkalin sahitya se, sahanubhuti ke bavjud, lagbhag bachte rahe.

acharya hajariprsad dvivedi ki drishti mulatः sanskriti aitihasik thi. pahle ke sahityon ke bare mein unhonne mulyavan jankari aur chintan diya hai, lekin samkalin sahitya se, sahanubhuti ke bavjud, lagbhag bachte rahe.

roop, rang aur arth ke star par azad rahne ki, samne baithe adami ki giraft mein aane ki ek taDap, ek avashyak aur samajhdar ichchha, jo adami ko adami se joDti hai, magar adami ko dusre adami ki jeb mein ya jute mein nahin Dalti, svtantrta ki teevr ichchha aur uske liye pahal tatha us pahal ke samarthan mein likha gaya sahitya hi sam kalin sahitya hai.

roop, rang aur arth ke star par azad rahne ki, samne baithe adami ki giraft mein aane ki ek taDap, ek avashyak aur samajhdar ichchha, jo adami ko adami se joDti hai, magar adami ko dusre adami ki jeb mein ya jute mein nahin Dalti, svtantrta ki teevr ichchha aur uske liye pahal tatha us pahal ke samarthan mein likha gaya sahitya hi sam kalin sahitya hai.

main aaj ki kavita ko jab atyadhik nagarik hote dekhta hoon to mujhe kai baar apne bhitar ek Dar paida hota hai ki kahin wo apna jatiy svarup kho na de.

main aaj ki kavita ko jab atyadhik nagarik hote dekhta hoon to mujhe kai baar apne bhitar ek Dar paida hota hai ki kahin wo apna jatiy svarup kho na de.

yadi lekhak aaj iimandar hai, to use apne prati aur apne yug ke prati adhik uttardayi hona hoga.

yadi lekhak aaj iimandar hai, to use apne prati aur apne yug ke prati adhik uttardayi hona hoga.

pratibhashali granthkar ya kavi apne kaal, jati aur sthiti ki prkriti dvara nirmit hi nahin hota, wo uska nirman bhi karta hai. wo keval unse prabhavanvit hone vala hi nahin, un par prabhav Dalne vala bhi hai.

pratibhashali granthkar ya kavi apne kaal, jati aur sthiti ki prkriti dvara nirmit hi nahin hota, wo uska nirman bhi karta hai. wo keval unse prabhavanvit hone vala hi nahin, un par prabhav Dalne vala bhi hai.

pratyek sadgranth me.n do tarah kii baate.n hu.a kartii hain, ek saamayik, nashvar, deshavishesh aur kaalavishesh se sambandh rakhnevaalii aur duusrii shaashvat, avinashvar, sab kaalo.n aur desho.n ke li.e samaan ruup se upyogii aur vyavhaarya।

pratyek sadgranth me.n do tarah kii baate.n hu.a kartii hain, ek saamayik, nashvar, deshavishesh aur kaalavishesh se sambandh rakhnevaalii aur duusrii shaashvat, avinashvar, sab kaalo.n aur desho.n ke li.e samaan ruup se upyogii aur vyavhaarya।

hindi mein prem ke naam par likha bahut kuch jata hai par uska talluq, zyadatar, kartavya, moh ya shraddha se hota hai

hindi mein prem ke naam par likha bahut kuch jata hai par uska talluq, zyadatar, kartavya, moh ya shraddha se hota hai

samkalin upanyason ne pahchana hai ki maan poshak ho sakti hai to shoshak bhi. samkal ke kai upanyason mein maan ki kutilta aur kshudrta ka adbhut chitran milta hai.

samkalin upanyason ne pahchana hai ki maan poshak ho sakti hai to shoshak bhi. samkal ke kai upanyason mein maan ki kutilta aur kshudrta ka adbhut chitran milta hai.

hamare vartaman darshanik adhyayan ka mukhya uddeshya, kathmullavadi vichar ko door karna hi hona chahiye.

hamare vartaman darshanik adhyayan ka mukhya uddeshya, kathmullavadi vichar ko door karna hi hona chahiye.

ajkal aisa bahut sahitya likha ja raha hai jise main stri rijhau’ kahta hoon; jisko sun karke aurten bul bul ho jati hain ki dekhiye! hamare adhikaron ki baat ki ja rahi hai.

ajkal aisa bahut sahitya likha ja raha hai jise main stri rijhau’ kahta hoon; jisko sun karke aurten bul bul ho jati hain ki dekhiye! hamare adhikaron ki baat ki ja rahi hai.

parakh bhi samkalikta aur sambodh se anushasit hoti hai

parakh bhi samkalikta aur sambodh se anushasit hoti hai