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sinema mere liye koi art form nahin hai. ye mere logon ki seva karne ka ek zariya maatr hai. main koi samajashastri nahin hoon aur isliye aise bhram nahin palta ki mera sinema logon ko badal sakta hai. koi ek filmmekar logon ko nahin badal sakta hai. log bahut vishal hain aur ve apne aap ko khud badal rahe hain. mein chizen nahin badal raha hoon, jo bhi baDe badlav ho rahe hain mein sirf unhen dastavez kar raha hoon.

sinema mere liye koi art form nahin hai. ye mere logon ki seva karne ka ek zariya maatr hai. main koi samajashastri nahin hoon aur isliye aise bhram nahin palta ki mera sinema logon ko badal sakta hai. koi ek filmmekar logon ko nahin badal sakta hai. log bahut vishal hain aur ve apne aap ko khud badal rahe hain. mein chizen nahin badal raha hoon, jo bhi baDe badlav ho rahe hain mein sirf unhen dastavez kar raha hoon.

chekhab ki tarah mujhe bhi manushya ke bhavishya par astha hai. meri kala manushya ko nirash nahin kar sakti. ravindrnath thakur ka ye sandesh mein kabhi nahin bhool sakunga ki manusher vishvas haran paap.

chekhab ki tarah mujhe bhi manushya ke bhavishya par astha hai. meri kala manushya ko nirash nahin kar sakti. ravindrnath thakur ka ye sandesh mein kabhi nahin bhool sakunga ki manusher vishvas haran paap.

rachnatmak drishti se Dakyumentri ek prvriti ka naam hai. satya, yatharth mein nihit hota hai aur kaimra, bhautik yatharth ke sabhi pakshon ko pakaDne mein vishesh saksham hota hai. ye kalakar ka kartavya hai ki wo yatharth ko ankit kar kalatmak Dhang se prastut kare.

rachnatmak drishti se Dakyumentri ek prvriti ka naam hai. satya, yatharth mein nihit hota hai aur kaimra, bhautik yatharth ke sabhi pakshon ko pakaDne mein vishesh saksham hota hai. ye kalakar ka kartavya hai ki wo yatharth ko ankit kar kalatmak Dhang se prastut kare.

bhakti, virata aur saiks ki mili juli manasikta filmi hiro ko neta, uddharak aur path pradarshak bana deti hai.

bhakti, virata aur saiks ki mili juli manasikta filmi hiro ko neta, uddharak aur path pradarshak bana deti hai.

mere liye sinema aur kuch nahin sirf ek abhivyakti hai. ye mere liye apne logon ke kashton aur dukhon ko lekar apna ghussa zahir karne ka madhyam hai. kal ko sinema ke alava bhi insaan ki buddhi shayad kuch aisa bana le jo sinema se bhi zyada mazbuti, bal aur tatkalikta se logon ki khushiyon, dukhon, akankshaon, sapnon, adarshon ko abhivyakt kar sake. tab wo hi adarsh madhyam ban jayega.

mere liye sinema aur kuch nahin sirf ek abhivyakti hai. ye mere liye apne logon ke kashton aur dukhon ko lekar apna ghussa zahir karne ka madhyam hai. kal ko sinema ke alava bhi insaan ki buddhi shayad kuch aisa bana le jo sinema se bhi zyada mazbuti, bal aur tatkalikta se logon ki khushiyon, dukhon, akankshaon, sapnon, adarshon ko abhivyakt kar sake. tab wo hi adarsh madhyam ban jayega.

manav maatr ki gyaan rashi ka ek (adrishya) vrit banta hai, jo dhire dhire baDhta rahta hai. ainstin jaisi kuch aisi pratibhayen hoti hain, jo is vrit ke akar mein gunatmak parivartan la sakti hain. sahi mane mein us film ko hi prayogatmak kah sakta hoon, jo gyanrashi ke vrit mein aisa hi parivartan la sake.

manav maatr ki gyaan rashi ka ek (adrishya) vrit banta hai, jo dhire dhire baDhta rahta hai. ainstin jaisi kuch aisi pratibhayen hoti hain, jo is vrit ke akar mein gunatmak parivartan la sakti hain. sahi mane mein us film ko hi prayogatmak kah sakta hoon, jo gyanrashi ke vrit mein aisa hi parivartan la sake.

apne naam ke mulya mutabiq har aart ko insaan ki behtari ke liye kaam karna hi chahiye. main kisi kathor thyori mein yaqin nahin karta hoon, lekin theek usi samay main in tathakathit mahan filmmekars ko lekar hairan hoon, jo mool roop se kuch nahin bas nausikhiye hain aur manaviy rishton ke aart ka shor machate rahte hain. apni samajik zimmedari se bachne ka ye bahut chatur tariqa hai. asal mein jo bhi kaam ye karte hain, wo sirf unki apni satta ko fayda pahunchane ke liye hota hai. ye log itne pakshapati hain, jitna ki koi ho sakta hai lekin apakshpati hone ka mask pahante hain. main aise adarshon se ghrina karta hoon.

apne naam ke mulya mutabiq har aart ko insaan ki behtari ke liye kaam karna hi chahiye. main kisi kathor thyori mein yaqin nahin karta hoon, lekin theek usi samay main in tathakathit mahan filmmekars ko lekar hairan hoon, jo mool roop se kuch nahin bas nausikhiye hain aur manaviy rishton ke aart ka shor machate rahte hain. apni samajik zimmedari se bachne ka ye bahut chatur tariqa hai. asal mein jo bhi kaam ye karte hain, wo sirf unki apni satta ko fayda pahunchane ke liye hota hai. ye log itne pakshapati hain, jitna ki koi ho sakta hai lekin apakshpati hone ka mask pahante hain. main aise adarshon se ghrina karta hoon.

achchhe sinema ko zindagi se alag nahin kiya ja sakta. ise logon ki akankshaon aur ghabrahton ka pratinidhitv karna hi hota hai. ise samay se saath qadam baDhane hote hain. iski jaDen logon mein honi hoti hain. mere hisab se bambii ke sinema ki koi jaDen nahin hain. "

achchhe sinema ko zindagi se alag nahin kiya ja sakta. ise logon ki akankshaon aur ghabrahton ka pratinidhitv karna hi hota hai. ise samay se saath qadam baDhane hote hain. iski jaDen logon mein honi hoti hain. mere hisab se bambii ke sinema ki koi jaDen nahin hain. "

Dher sari patrikayen mera naam kuch vikhyat nirdeshkon ke saath rakhkar dekhti hain. mainne in nirdeshkon ki jitni bhi filmen dekhi hain, use dekhkar mujhe lagta hai ki ye na sirf ghalat hai, balki un par aur mujh par donon par zyadti hai. ve ek aspasht drishtikon se film banate hain. jaisa ki main bhi karta hoon, lekin ek bilkul dusre drishtikon se. yahan saval mulya nirnay ka nahin hai, balki bhinnata ka hai.

Dher sari patrikayen mera naam kuch vikhyat nirdeshkon ke saath rakhkar dekhti hain. mainne in nirdeshkon ki jitni bhi filmen dekhi hain, use dekhkar mujhe lagta hai ki ye na sirf ghalat hai, balki un par aur mujh par donon par zyadti hai. ve ek aspasht drishtikon se film banate hain. jaisa ki main bhi karta hoon, lekin ek bilkul dusre drishtikon se. yahan saval mulya nirnay ka nahin hai, balki bhinnata ka hai.

filmkar ki tapasya hi ye honi chahiye ki wo kis prakar alag alag tatvon ka mel karvaye ki dekhne valon tak unka sanyukt prabhav pahunch sake.

filmkar ki tapasya hi ye honi chahiye ki wo kis prakar alag alag tatvon ka mel karvaye ki dekhne valon tak unka sanyukt prabhav pahunch sake.

main arthachhthaon ke pichhe bhagta hoon. . . un durgahya kshanbhangur arthachhthaon ke pichhe, unhin mein to jivan ki chingariyan chhipi hoti hai. . . naach gane bhi gale ki phaans nahin hote, ve rachnatmak tatv hote hain aur agar kathya va sandarbh ki maang ho, to unmen anaginat sambhanayen hoti hain. agar bharat mein koi sachcha gambhir kalakar is par apne tamam buddhi vaibhav ko daanv par laga dega, akhir mijoguchi aur kurosava ya kinugasa jaise logon ne noh aur kabuki ko apne hathon nichoDkar hi to usse apne nitant vaiyaktik vaktavya arjit kiye the.

main arthachhthaon ke pichhe bhagta hoon. . . un durgahya kshanbhangur arthachhthaon ke pichhe, unhin mein to jivan ki chingariyan chhipi hoti hai. . . naach gane bhi gale ki phaans nahin hote, ve rachnatmak tatv hote hain aur agar kathya va sandarbh ki maang ho, to unmen anaginat sambhanayen hoti hain. agar bharat mein koi sachcha gambhir kalakar is par apne tamam buddhi vaibhav ko daanv par laga dega, akhir mijoguchi aur kurosava ya kinugasa jaise logon ne noh aur kabuki ko apne hathon nichoDkar hi to usse apne nitant vaiyaktik vaktavya arjit kiye the.

is par hamesha bahs ki jati hai ki ek artist ko kya sirph praublam samne rakhni chahiye ya uske samadhan ki or bhi ishara karna chahiye. mujhe lagta hai ki ye chizon ki taraf bahut bachkane Dhang se dekhne ka tariqa hai. agar artist ko samadhan samne rakhne ki zarurat mahsus hoti hai, to uska svagat hai. lekin aksar wo samasya batata hai aur mamle ko vahin chhoD deta hai. ye donon hi tritment saman roop se mahatvpurn hain. hum kisi ek par ashavadi aur dusre par nirashavadi ka lebal nahin laga sakte hain. kendriy bindu ye hai ki jo bhi film ki vishay vastu aur rachnakar ke dimagh mein se sahj roop se viksit hota hai wo puri tarah svikarya hai. lekin jo bhi ubhre wo svatः hona chahiye. saval ye hai ki kya wo artist jivan aur insanon ko lekar pakshapati hai ya nahin? agar wo hai, to phir ye praublam kabhi nahin hoti.

is par hamesha bahs ki jati hai ki ek artist ko kya sirph praublam samne rakhni chahiye ya uske samadhan ki or bhi ishara karna chahiye. mujhe lagta hai ki ye chizon ki taraf bahut bachkane Dhang se dekhne ka tariqa hai. agar artist ko samadhan samne rakhne ki zarurat mahsus hoti hai, to uska svagat hai. lekin aksar wo samasya batata hai aur mamle ko vahin chhoD deta hai. ye donon hi tritment saman roop se mahatvpurn hain. hum kisi ek par ashavadi aur dusre par nirashavadi ka lebal nahin laga sakte hain. kendriy bindu ye hai ki jo bhi film ki vishay vastu aur rachnakar ke dimagh mein se sahj roop se viksit hota hai wo puri tarah svikarya hai. lekin jo bhi ubhre wo svatः hona chahiye. saval ye hai ki kya wo artist jivan aur insanon ko lekar pakshapati hai ya nahin? agar wo hai, to phir ye praublam kabhi nahin hoti.

is desh mein film saste manoranjan ka sabse ghatiya sadhan ban gai hai. isliye, mein is desh mein filmon ke bhavishya ko lekar kafi chintit hoon.

is desh mein film saste manoranjan ka sabse ghatiya sadhan ban gai hai. isliye, mein is desh mein filmon ke bhavishya ko lekar kafi chintit hoon.

chaiplin ki pratibha ka utkarsh hum uski mook filmon mein hi dekh sakte hain. khaas taur se uski laghu filmon mein. mujhe lagta hai ki chaiplin ko maun, mook abhinay aur mook filmon ki rachnaprakriya se gahra lagav tha. dhvani uske tark ko hi badal deti, uski prbhavotpadakta mein khalal Dalti.

chaiplin ki pratibha ka utkarsh hum uski mook filmon mein hi dekh sakte hain. khaas taur se uski laghu filmon mein. mujhe lagta hai ki chaiplin ko maun, mook abhinay aur mook filmon ki rachnaprakriya se gahra lagav tha. dhvani uske tark ko hi badal deti, uski prbhavotpadakta mein khalal Dalti.

koi bhi kala anya kalaon ka suthra hua roop hone ka dava nahin kar sakti. is vishv mein har kala ka apna alag sthaan hai. unki abhivyakti ke taur tariqe aur simayen bhinn hain. film jo kah sakti hai, wo anya kala vidhaon ki paridhi se bahar hai. isi prakar anya kalaon mein jo samarthya hai, wo film mein nahin ho sakta. atः in mein tulna ya pratiyogita ka parashn hi nahin uthna chahiye.

koi bhi kala anya kalaon ka suthra hua roop hone ka dava nahin kar sakti. is vishv mein har kala ka apna alag sthaan hai. unki abhivyakti ke taur tariqe aur simayen bhinn hain. film jo kah sakti hai, wo anya kala vidhaon ki paridhi se bahar hai. isi prakar anya kalaon mein jo samarthya hai, wo film mein nahin ho sakta. atः in mein tulna ya pratiyogita ka parashn hi nahin uthna chahiye.

do tarah ka sinema banta hai. . . ya to aap sine itihas ki rahon par chal den ya apni pagDanDiyan khud banayen, ne raste DhunDhen, banayen.

do tarah ka sinema banta hai. . . ya to aap sine itihas ki rahon par chal den ya apni pagDanDiyan khud banayen, ne raste DhunDhen, banayen.

ye mere darshkon ko tay karna hai ki kya main ek politikal filmmekar hoon ya nahin? ki kya main bharat ka pahla aur ekmaatr politikal filmmekar hoon? vistrit sandarbh mein kahun, to meri sari filmen politikal hain, jaise ki har aart hota hai, har artist hota hai. ye ya to is ya us varg ke bare mein hota hai. ek filmmekar chahe, to ise politikal naam de de, aur dusra use aisa naam na de, lekin ant mein donon filmen isi maksad ko pura karti hain.

ye mere darshkon ko tay karna hai ki kya main ek politikal filmmekar hoon ya nahin? ki kya main bharat ka pahla aur ekmaatr politikal filmmekar hoon? vistrit sandarbh mein kahun, to meri sari filmen politikal hain, jaise ki har aart hota hai, har artist hota hai. ye ya to is ya us varg ke bare mein hota hai. ek filmmekar chahe, to ise politikal naam de de, aur dusra use aisa naam na de, lekin ant mein donon filmen isi maksad ko pura karti hain.

hamein vishv ke mahan filmkaron se sikhte rahna chahiye, lekin unka anukran nahin karna chahiye.

hamein vishv ke mahan filmkaron se sikhte rahna chahiye, lekin unka anukran nahin karna chahiye.

filmon mein abhinay asal mein, Dayarektar aur ektars ke beech gahre talamel ke baad janmta hai aur khed hai ki wo bharat mein ghayab hai.

filmon mein abhinay asal mein, Dayarektar aur ektars ke beech gahre talamel ke baad janmta hai aur khed hai ki wo bharat mein ghayab hai.

sahitya ek kala roop hai aur film dusra. isliye jab aap sahitya se script bana rahe hote hain, to aap use bevakufi se bas phaulo nahin kar sakte. wo sahi nahin hai. film mukhya roop se drishyatmak hai. . . ek drishya kala. ise dhyaan mein rakhna chahiye.

sahitya ek kala roop hai aur film dusra. isliye jab aap sahitya se script bana rahe hote hain, to aap use bevakufi se bas phaulo nahin kar sakte. wo sahi nahin hai. film mukhya roop se drishyatmak hai. . . ek drishya kala. ise dhyaan mein rakhna chahiye.

ye sirf meri baat nahin hai, duniya mein koi bhi gambhir kalakar, jo bangal mein ya kahin aur gambhir kaam kiya ho, jiska naam aapne suna ho. . . unmen se har ek vyakti ek vyakti se prerit hai aur uska naam sargei aizenstain hai.

ye sirf meri baat nahin hai, duniya mein koi bhi gambhir kalakar, jo bangal mein ya kahin aur gambhir kaam kiya ho, jiska naam aapne suna ho. . . unmen se har ek vyakti ek vyakti se prerit hai aur uska naam sargei aizenstain hai.

film dekhne jana bhi ek tarah ka sanskar hai. jab battiyan bujh jati hain, parde zinda ho jate hain, to sab darshak ek ho jate hain. ye ek samuday vali bhavna ho jati hai. hum iski tulna charch, masjid ya mandir jane se kar sakte hain.

film dekhne jana bhi ek tarah ka sanskar hai. jab battiyan bujh jati hain, parde zinda ho jate hain, to sab darshak ek ho jate hain. ye ek samuday vali bhavna ho jati hai. hum iski tulna charch, masjid ya mandir jane se kar sakte hain.

filmon ki alochana karne ke liye, pahle madhyam ko samajhna chahiye.

filmon ki alochana karne ke liye, pahle madhyam ko samajhna chahiye.

aart mein sab kuch jayaz hai. mahatvpurn parashn ye hai ki jo log zordar Dhang se nudity aur kissing ka samarthan karte hain, kya wo kala ke bare mein sochte hue aisa karte hain, ya phir ve jaldi rokDa kamane ke liye aisa karna chahte hain?

aart mein sab kuch jayaz hai. mahatvpurn parashn ye hai ki jo log zordar Dhang se nudity aur kissing ka samarthan karte hain, kya wo kala ke bare mein sochte hue aisa karte hain, ya phir ve jaldi rokDa kamane ke liye aisa karna chahte hain?

film banane ka prathamik uddeshya manavjati ke liye bhalai karna hai.

film banane ka prathamik uddeshya manavjati ke liye bhalai karna hai.

main apni zindagi is bharose nahin ji raha ki kaun mere kaam ko pasand karta hai, kaun nahin. main to jo kahna chahta hoon, kah raha hoon. unhen mila ve chillana chahte the. . . ve chillaye.

main apni zindagi is bharose nahin ji raha ki kaun mere kaam ko pasand karta hai, kaun nahin. main to jo kahna chahta hoon, kah raha hoon. unhen mila ve chillana chahte the. . . ve chillaye.

chalchitr ko rekhankit karne ke liye achal sthiti par dhyaan kendrit karna bhi avashyak hai. kahin viram aur sthirta chalchitr ko prchanD prabhav deti hai. kabhi kabhi sampurn anatkiyta agle kshan ki natakiyata ko naya ayam deti hai.

chalchitr ko rekhankit karne ke liye achal sthiti par dhyaan kendrit karna bhi avashyak hai. kahin viram aur sthirta chalchitr ko prchanD prabhav deti hai. kabhi kabhi sampurn anatkiyta agle kshan ki natakiyata ko naya ayam deti hai.

is duniya mein abhi tak varg heen kala jaisi koi cheez nahin hai. karan ye hai ki koi varg heen samaj hi nahin hai.

is duniya mein abhi tak varg heen kala jaisi koi cheez nahin hai. karan ye hai ki koi varg heen samaj hi nahin hai.

sabse mahan film. . . aap chahte hain ki main uska naam loon. baitalship potemkin. aisi koi film nahin bani, jo ise taup kar sake. koi nahin.

sabse mahan film. . . aap chahte hain ki main uska naam loon. baitalship potemkin. aisi koi film nahin bani, jo ise taup kar sake. koi nahin.

kisi ne baitalship potemkin se baDa kuch nahin banaya.

kisi ne baitalship potemkin se baDa kuch nahin banaya.

filmon mein aapke paas itni gunjaish nahin hoti. aap kahani se door nahin ja sakte, aapko jo kahna hai, kahani ke bhitar kahna hai. kitab mein aap kahani ke do his‍son ke beech asani se apni baat kah sakte hain, chintan kar sakte hain.

filmon mein aapke paas itni gunjaish nahin hoti. aap kahani se door nahin ja sakte, aapko jo kahna hai, kahani ke bhitar kahna hai. kitab mein aap kahani ke do his‍son ke beech asani se apni baat kah sakte hain, chintan kar sakte hain.

halki film aur halka sahitya chala hai. achchhi filmen phel hoti hain, achchha sahitya almariyon mein rakha rahta hai. parinam ye hai ki hindi ka lekhak vastav mein bhukha marta hai.

halki film aur halka sahitya chala hai. achchhi filmen phel hoti hain, achchha sahitya almariyon mein rakha rahta hai. parinam ye hai ki hindi ka lekhak vastav mein bhukha marta hai.

sinema mein mera kariyar svayattata ke prati mera junun pratibimbit karta hai. mainne hamesha hi leek se hatkar kaam kiya hai aur jokhim lene mein pichhe nahin hata.

sinema mein mera kariyar svayattata ke prati mera junun pratibimbit karta hai. mainne hamesha hi leek se hatkar kaam kiya hai aur jokhim lene mein pichhe nahin hata.

main kabhi ‘filmi’ hiro nahin ban saka aur ban jana talta bhi raha.

main kabhi ‘filmi’ hiro nahin ban saka aur ban jana talta bhi raha.

main filmon ka adami nahin hoon, a‍yonki wo duniya mujhe kabhi pasand nahin rahi.

main filmon ka adami nahin hoon, a‍yonki wo duniya mujhe kabhi pasand nahin rahi.