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bharatiy sahitya mein un logon ki vani ko hi pradhanta mili hai, jinhonne adhyatmik asantoshon aur atriptiyon ko door karne ki disha mein vivek vedna sthiti se grast hokar kaam kiya hai.

bharatiy sahitya mein un logon ki vani ko hi pradhanta mili hai, jinhonne adhyatmik asantoshon aur atriptiyon ko door karne ki disha mein vivek vedna sthiti se grast hokar kaam kiya hai.

divangat hone par bhi satkavyon ke rachayitaon ka ramya kavya sharir; nirvikar hi rahta hai aur jab tak us kavi ki amit kirti prithvi aur akash mein vyaapt hai, tab tak wo punyatma dev pad ko alankrit karta hai.

divangat hone par bhi satkavyon ke rachayitaon ka ramya kavya sharir; nirvikar hi rahta hai aur jab tak us kavi ki amit kirti prithvi aur akash mein vyaapt hai, tab tak wo punyatma dev pad ko alankrit karta hai.

sahitya ki samast mahan kritiyan kisi shaili (genre) ki sthapana karti hain ya wisarjan—anya shabdon mein yon kahen, ki we wishisht ghatnayen hain

sahitya ki samast mahan kritiyan kisi shaili (genre) ki sthapana karti hain ya wisarjan—anya shabdon mein yon kahen, ki we wishisht ghatnayen hain

mahakaviyon ki to kala cheri hoti hai, jab ki madhyam koti ke kaviyon ke liye wo sahayak dikhai deti hai. nimn koti ke kaviyon ko to shaastr ka adhar lekar hi jivit rahna paDta hai.

mahakaviyon ki to kala cheri hoti hai, jab ki madhyam koti ke kaviyon ke liye wo sahayak dikhai deti hai. nimn koti ke kaviyon ko to shaastr ka adhar lekar hi jivit rahna paDta hai.

ek mahan kavi ya upanyasakar keval kuch hi karnon se mahan nahin hota, kai karnon se hota hai. uski mahanta ki ek kasauti ye bhi hai ki uska krititv anek drishtikonon se vyakhya ko amantrit karta hai aur un par khara utarta hai.

ek mahan kavi ya upanyasakar keval kuch hi karnon se mahan nahin hota, kai karnon se hota hai. uski mahanta ki ek kasauti ye bhi hai ki uska krititv anek drishtikonon se vyakhya ko amantrit karta hai aur un par khara utarta hai.

shreshthta ki kasauti ko lekar hamare sahitya mein rachnakaron aur alochkon ke do teen baDe mazbut aur suprichit kheme hain; inki manytayen aur drishtiyan atyant suparibhashit hain aur apne ko ek dusre se bhinn manne mein hi unki saiddhantik sarthakta samjhi jati hai, par ek mamle mein donon khemon ke sadasya ek jaise hain. ve ek or bhavukta virodh ko ek svatः siddh mulya mante hain aur dusri or akele mein ve sabhi bhavuk hone ki apar kshamata dikha sakte hain—sab nahin to adhikansh. unhin adhikansh mein ek main bhi hoon.

shreshthta ki kasauti ko lekar hamare sahitya mein rachnakaron aur alochkon ke do teen baDe mazbut aur suprichit kheme hain; inki manytayen aur drishtiyan atyant suparibhashit hain aur apne ko ek dusre se bhinn manne mein hi unki saiddhantik sarthakta samjhi jati hai, par ek mamle mein donon khemon ke sadasya ek jaise hain. ve ek or bhavukta virodh ko ek svatः siddh mulya mante hain aur dusri or akele mein ve sabhi bhavuk hone ki apar kshamata dikha sakte hain—sab nahin to adhikansh. unhin adhikansh mein ek main bhi hoon.

aise punyvan kavishvar sada hi utkrishtata ke karan vijyi hain, jo rassiddhi ko pae hain; kyonki unke yashrupi sharir mein zara maran ka bhay nahin hai.

aise punyvan kavishvar sada hi utkrishtata ke karan vijyi hain, jo rassiddhi ko pae hain; kyonki unke yashrupi sharir mein zara maran ka bhay nahin hai.

jiski sundar kavita hai, uske aage rajya kya hai?

jiski sundar kavita hai, uske aage rajya kya hai?

asadharan (maha)—kawiyon ke kawyrupi pryogon ke anurup hi kawyon ko le chalna chahiye poorn sadrishya kahin dekha gaya hai, jaisa ‘radmitr’ mein kaha gaya hai

asadharan (maha)—kawiyon ke kawyrupi pryogon ke anurup hi kawyon ko le chalna chahiye poorn sadrishya kahin dekha gaya hai, jaisa ‘radmitr’ mein kaha gaya hai

mahan lekhak hamesha bante nahin, banaye bhi jate hain

mahan lekhak hamesha bante nahin, banaye bhi jate hain